Take Mirei

Mirei is a duo concistent of Johanna Edberg (singer & pianist) and Natalie Migdal (singer & violinist) where beautiful compositions and sincere lyrics intertwine. With their four instruments, Johanna and Natalie share a personal moment with the audience and gives insight to their world. Natalie’s roots in classical art music and Johanna’s background in jazz gives Mirei a unique expression where music and improvisation is the focal point. One performance is not like the other and time after time you’ll get fascinated by how this intimate group can astound you.

Revolution…Take Your Knickers Off! was a double CD bootleg by The Beatles released on the His Master's Choice ‎label in 2008. It was later remastered by Remasters Workshop two years later. This disc is notable for its amazing sound quality and having a full 11 minute version of take 20 of "Revolution", or what is known as "Revolution No. 1" off of The White Album. Other highlights include Paul McCartney's sessions with Cilla Black for "Step Inside Love", his sessions for "Come And Get It" (given to Badfinger), and Badfinger's sessions for "No Escaping Your Love". I also created a "louder" version of one of the takes of "Step Inside Love", which consists of nothing but studio chat. Since it has their voices at low volume, I peaked the levels so for those who would like to listen without turning it up too much, you can listen to that. A fantastic set.

Revolution…Take Your Knickers Off! was a double CD bootleg by The Beatles released on the His Master's Choice ‎label in 2008. It was later remastered by Remasters Workshop two years later. This disc is notable for its amazing sound quality and having a full 11 minute version of take 20 of "Revolution", or what is known as "Revolution No. 1" off of The White Album. Other highlights include Paul McCartney's sessions with Cilla Black for "Step Inside Love", his sessions for "Come And Get It" (given to Badfinger), and Badfinger's sessions for "No Escaping Your Love". I also created a "louder" version of one of the takes of "Step Inside Love", which consists of nothing but studio chat. Since it has their voices at low volume, I peaked the levels so for those who would like to listen without turning it up too much, you can listen to that. A fantastic set.

Revolution Take 20 Sessions is a 2016 bootleg CD by British pop group The Beatles. It features a number of different versions of their recording of "Revolution" heard in different perspectives. This was released by BeatFile.

Presaging the teen-pop phenomenon of the late '90s, Take That took Great Britain by storm in 1993. They didn't, however, hit the States until this release, and even then they hardly made a dent, with only the single "Back for Good" getting any airplay. Where Hanson sparked the boy band craze in the U.S. with a tight band, assured songwriting, good vocals, and an appreciation for rock & roll, and the Backstreet Boys and *NSYNC gave us lush harmonies and production, Take That lacks the confidence or the style of even the weakest cut by the above-mentioned groups.

Presaging the teen-pop phenomenon of the late '90s, Take That took Great Britain by storm in 1993. They didn't, however, hit the States until this release, and even then they hardly made a dent, with only the single "Back for Good" getting any airplay. Where Hanson sparked the boy band craze in the U.S. with a tight band, assured songwriting, good vocals, and an appreciation for rock & roll, and the Backstreet Boys and *NSYNC gave us lush harmonies and production, Take That lacks the confidence or the style of even the weakest cut by the above-mentioned groups.

Pianist/composer Jacky Terrasson makes his Impulse! label debut with Take This, a sparkling new disc that captures the quintessence of his multifaceted musical makeup, which often draws upon modern post-bop, pop, hip-hop, European classical, and African and Afro-Caribbean rhythms and melodies.

Released in 1992, Take That & Party was the first album for Take That, and contains four Top Ten British singles. The album can be accurately described as more youthful than their future recordings; "A Million Love Songs" was written by lead singer Gary Barlow at the age of 15, and reached number seven on the music charts. There is a deep sensitivity in England toward Take That; the story of the group and its progress and departure was just as meaningful as the music the band produced. Hearing Robbie Williams on the tracks here, especially his lead on the cover of Barry Manilow's "Could It Be Magic," brings back a feeling of lost innocence and a perspective on the changing of times.