A great live set from Sadao Watanabe – one that shows the wealth of influences he'd been drawing on, from post-Coltrane spirituality, to African-oriented rhythms, to a slight bit of funk! The group's great – with Watanabe on flute, alto, and soprano sax, Takehiro Honda on Fender Rhodes and piano, Kazumi Watanabe on guitar, plus added bass, trombone, and percussion – and we especially like Honda's keyboards, which make any session like this an instant treat! The album's got a warm, soulful feeling, but a sharper edge than most of Watanabe's smoother work of the time – and titles include "Hiro", "Maraica", "Wana Tanzania", and "Mathari Terbenam".
Dancing Girl is an important transitional film, as Naruse deploys some of the flamboyant melodramatic devices that he used in the 1930s in the context of a story that is very much a postwar narrative. Elaborate, distinctive camera movements at moments of high dramatic tension tend to displace acting technique in the representation of psychological states. Used only in conjunction with the two main women characters, Namiko (Takamine Mieko) and her daughter Shinako (Okada Mariko), the camera movements now seem to detract from the emotional weight of the drama.