Tales From The Last Days of Anatolia

Tuesday, 8 May 1945: Victory in Europe Day.

The teenage daughter of a British consul is brutally slaughtered. The police investigation is botched; as war looms British and Chinese authorities close ranks. A grieving father vows to uncover the truth - alone.

"Rob Miech has outdone himself with this poignant, behind-the-curtains revelation of a world of parlays and money-line wagers, of mob-ruled games, and characters named Lem and Lefty. The brilliant storyteller weaves insight from some of the world's most prominent names in sports betting into a historic, entertaining, and informative journey."
—Ed Graney, six-time Nevada sportswriter of the year for the Las Vegas Review-Journal

An Auditory Survey of the Last Days of the Holocene is a fearless work. It focuses on the environment from an auditory perspective, presenting a catalogue of our created world’s sounds by tallying the noises, echoes, reverberations and refrains associated with environmental degradation that leads to climate change. The sequential recordings of traffic, machinery, drilling, fracking and more serve as a backdrop for musical responses and reflections from the piano and percussion instruments, that simultaneously respond, reflect and develop the soundscape journey from one of hostile discord to one of reconciliation and peace. The audience is faced with the sounds of our man-made environment, stripped bare of visual distractions, and taken on a journey of action and possibility. We see this as a way to reach people on a whole new, visceral level. As humans, we get to decide what sounds we take forward with us into a new era and which ones we resolve to leave behind.

An Auditory Survey of the Last Days of the Holocene is a fearless work. It focuses on the environment from an auditory perspective, presenting a catalogue of our created world’s sounds by tallying the noises, echoes, reverberations and refrains associated with environmental degradation that leads to climate change. The sequential recordings of traffic, machinery, drilling, fracking and more serve as a backdrop for musical responses and reflections from the piano and percussion instruments, that simultaneously respond, reflect and develop the soundscape journey from one of hostile discord to one of reconciliation and peace.