Talk to Me: Conversation Tips For The Small Talk Challenged

Be clear from the git-go: this three-CD, 60-song set, which consists solely of rarities, demos, alternate takes, and unissued performances from 1964-66, should only be acquired by serious fans of the band. It's not the place to start, and most listeners would be better served by picking up a greatest hits disc or the original Autumn albums. If you do love the band, though, it's an excellent journey through the back waters of their early repertoire. The Brummels rarely wrote or recorded anything lousy, and this presents interesting, substantially different versions of officially released songs like "Laugh, Laugh" and "Just a Little"; and quite a few demos that have never before seen the light. The beautifully sad harmonies and glittering guitar arrangements are usually present, and the compositions–even the totally unissued ones–are usually quite strong. From a historical viewpoint, it's interesting in that it presents a lot of previously unheard Sal Valentino-penned tunes (Ron Elliott wrote most of the songs that ended up on official releases). The sound is superb, as are the liner notes.

Be clear from the git-go: this three-CD, 60-song set, which consists solely of rarities, demos, alternate takes, and unissued performances from 1964-66, should only be acquired by serious fans of the band. It's not the place to start, and most listeners would be better served by picking up a greatest hits disc or the original Autumn albums. If you do love the band, though, it's an excellent journey through the back waters of their early repertoire. The Brummels rarely wrote or recorded anything lousy, and this presents interesting, substantially different versions of officially released songs like "Laugh, Laugh" and "Just a Little"; and quite a few demos that have never before seen the light. The beautifully sad harmonies and glittering guitar arrangements are usually present, and the compositions–even the totally unissued ones–are usually quite strong. From a historical viewpoint, it's interesting in that it presents a lot of previously unheard Sal Valentino-penned tunes (Ron Elliott wrote most of the songs that ended up on official releases). The sound is superb, as are the liner notes.

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