Tartini: Complete Violin Concertos

Giovanni Guglielmo, L'Arte dell'Arco - Tartini: Complete Violin Concertos [29CDs] (2015)

Giovanni Guglielmo, L'Arte dell'Arco - Tartini: Complete Violin Concertos [29CDs] (2015)
EAC | FLAC | Image (Cue & Log) ~ 8.99 Gb | Total time: 29:52:46 | Scans included
Classical | Label: Dynamic | # CDS7713/1-29 | Recorded: 1996-2010

To publish this complete edition of Giuseppe Tartini’s Violin Concertos is not only a source of pride for a record label like Dynamic, which in its 36 years of activity has built a considerable catalogue of violin music. This edition is an artistic and historical document of indisputable musicological importance for anyone wishing to have a philologically reliable testimony of this aspect of 18th-century Italian instrumental music, valuable, therefore, for more than the mere dimension of listening.
V.A. - Giuseppe Tartini: Complete Violin Concertos [29CD Box Set] (2017)

V.A. - Giuseppe Tartini: Complete Violin Concertos [29CD Box Set] (2017)
MP3 CBR 320 kbps | Run Time: 29:32:00 | 4.16 Gb | Artwork 9.60 Mb
Genre: Classical | Label: DYNAMIC

The publishing of this complete edition of Giuseppe Tartini’s Violin Concertos (with the addition of two concertos each for cello and flute) is both a triumph for Dynamic label, which in its 36 years of activity has built a considerable catalogue of violin music and an artistic and historical document of indisputable musicological importance for anyone wishing to have a philologically reliable testimony of this aspect of 18th c. Italian instrumental music, valuable, therefore, for more than the mere dimension of listening.

Salvatore Accardo - Tartini: Violin Concertos (2016)  Music

Posted by tirexiss at April 11, 2022
Salvatore Accardo - Tartini: Violin Concertos (2016)

Salvatore Accardo - Tartini: Violin Concertos (2016)
WEB | FLAC (tracks) - 580 MB | 01:44:05
Genre: Classical | Label: Decca

Salvatore Accardo, born in Turin in 1941, brings an Italianate warmth and intensity to the music he plays – not just to fellow countrymen such as Vivaldi, Tartini and Paganini, but also to Austrian and German composers. By the age of thirteen he had performed Paganini’s Caprices in recital, and he was an international competition winner before he even had left his teen years. His career as a soloist quickly blossomed. Nevertheless, he did not neglect chamber music – in 1992, he founded a string quartet that bears his name – and he also has led chamber orchestras, including the renowned I Musici. He recorded extensively for Philips and for Deutsche Grammophon.
Shizuka Ishikawa, František Xaver Thuri, Libor Pešek, Dvorák Chamber Orchestra - Mysliveček: Complete Violin Concertos (2022)

Shizuka Ishikawa, František Xaver Thuri, Libor Pešek, Dvorák Chamber Orchestra - Mysliveček: Complete Violin Concertos (2022)
FLAC (tracks), Lossless | 2:36:36 | 749 Mb
Genre: Classical / Label: Supraphon a.s.

Shortly after Josef Mysliveček left Prague for Italy in 1763, he earned important standing there and soon was enjoying the first great successes of his operas. However, opera was far from his only area of interest. In Padua in the late 1760s, Mysliveček was still able to become familiar with the music of the violin virtuoso Giuseppe Tartini, and it was probably under its influence that Mysliveček successively produced six violin concertos of his own. There are certain unmistakable archaic elements in Mysliveček's concertos that show Tartini's influence. The period when they were composed overlaps with the period of Mysliveček's intensive contacts with the young Mozart, and many aspects of Mozart's violin concertos were clearly influenced by the music of his elder friend. The recording by Shizuka Ishikawa, a laureate of the prestigious Queen Elisabeth Competition in Brussels (1976) and of the Fritz Kreisler Competition in Vienna (1979), apparently represents the only complete set of Josef Mysliveček's violin concertos. The young Japanese virtuoso recorded them for Supraphon in 1983 and 1986 in the Dvořák Hall of Prague's Rudolfinum, and her artistic partner was none other than the conductor Libor Pešek.
Luca Fanfoni, Reale Concerto - Antonio Lolli: Violin Concertos (2007)

Luca Fanfoni, Reale Concerto - Antonio Lolli: Violin Concertos (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 02:56:20 | 952 MB
Genre: Classical | Label: Dynamic | Catalog: CDS527

Lolli has received relatively little attention in modern times. I haven’t, for example, been able to trace a single reference to him in the pages of MusicWeb International. Despite this he holds a rather prominent place in that line of Italian violin virtuosi which runs from a figure such as Biagio Marini through Corelli and Tartini to Paganini and Viotti. The musicologist Albert Mell has, not unreasonably, written of him that he “was from many points of view the most important violin virtuoso before Paganini” (Musical Quarterly, Vol. 44, 1958) and Simon McVeigh (in The Cambridge Companion to the Violin) has described him as “the archetypal travelling virtuoso”.
Laura Marzadori, Orchestra da Camera 'Ferrucio Busoni' & Massimo Belli - Tartini: Violin Concertos, Sonatas (2019)

Laura Marzadori, Orchestra da Camera 'Ferrucio Busoni' & Massimo Belli - Tartini: Violin Concertos, Sonatas (2019)
WEB FLAC (tracks) - 245 Mb | MP3 CBR 320 kbps - 113 Mb | Digital booklet | 00:48:00
Classical | Label: Brilliant Classics

First recordings of concertos by a legendary virtuoso of the Italian Baroque. Concert master at the Teatro alla Scala since 2014, Laura Marzadori studied with Salvatore Accardo and Giuliano Carmignola, as well as playing in the Orchestra Mozart under Claudio Abbado. She has given chamber-music concerts with internationally renowned soloists such as Antonio Meneses, Andrea Lucchesini and Bruno Giuranna, and worked as a concert master for some of the world’s great conductors, including Daniel Barenboim, Riccardo Chailly and Antonio Pappano. She gave the world premiere performances of Respighi’s Violin Concerto in 2011, followed by a warmly received recording of the piece. She has also recorded the beautiful but little-known concerto by Ermanno Wolf-Ferrari.
Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005) [DD 24bit/96kHz]

Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.25GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon/Archiv

This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.
Wolfgang Schneiderhan - Complete Recordings on Deutsche Grammophon (2023)

Wolfgang Schneiderhan - Complete Recordings on Deutsche Grammophon (2023)
FLAC (tracks) - 8.4 GB | MP3 CBR 320 kbps - 4.9 GB
37:05:33 | Classical | Label: Deutsche Grammophon

As a “wunderkind” he sat on Pietro Mascagni’s lap, he accompanied the “Dying Swan” danced by the Russian ballerina Anna Pavlova, and Fritz Kreisler confessed to the young violinist that he did not know what else to teach him. “No one places Schneiderhan in the company of Kreisler, Heifetz, Huberman, Szigeti or Stern, yet he was as ‘complete’ a violonist as any of them, maybe even more so", wrote the English critic Tully Potter. Wolfgang Schneiderhan’s playing was noble, balanced and sober, but at the same time intense, heartfelt and fetching. Artistic distance and immediacy of expression were not opposites for him. He attached great importance to reliable musical scores and placed himself at the service of the music – qualities that would later become important for historical performance practice. In short, a fascinating artist to be rediscovered.
Ruggiero Ricci - Complete American Decca Recordings [9 CD Box Set] (2021)

Ruggiero Ricci - Complete American Decca Recordings [9 CD Box Set] (2021)
MP3 320 kbps | Run Time: 07:52:36 | 1.09 GB
Genre: Classical | Label: Eloquence Australia

Collected together for the first time are all of RUGGIERO RICCI’s nine solo albums taped for American Decca between 1960 and 1970. The sessions brought concertos by Vivaldi (The Four Seasons with an all-Stradivarius ensemble), Paganini and Saint-Sa?ns as well as several concept albums. ‘The Glory of Cremona’, a recording ‘that all fiddle fanciers will insist on having’ (Stereo Review) saw him play fifteen priceless violins. The 1967 traversal of the complete Bach Sonatas and Partitas for solo violin were described by Gramophone as ‘a miracle’. One of the last century’s most spell-binding technicians on the violin, Ricci was a complete musician, to whom this set pays eloquent tribute.

Tobias Ringborg plays Roman (2000)  Music

Posted by ArlegZ at March 5, 2020
Tobias Ringborg plays Roman (2000)

Tobias Ringborg plays Roman (2000)
EAC | FLAC | Image (Cue & Log) ~ 292 Mb | Total time: 56:40 | Scans included
Classical | Label: Nytorp Music | Nytorp 9902 | Recorded: 1999

Swedish composer Johan Helmich Roman (1694-1758), born 308 years ago today, was the son of a violinist in the Royal Opera Orchestra in Stockholm, and was employed there in the same capacity as his father. After a year or so, he was allowed to travel to complete his studies. He played in Handel's opera orchestra in London, earning the nickname 'the Swedish virtuoso' and worked for the Duke of Newcastle, before being summoned back to Stockholm, where he was swiftly promoted to vice concertmaster and later, in 1727, to concertmaster.