There’s no question that Manchester’s Dead Sea Apes have made an impressive footprint in the world of heavy psych. Things change quickly from there though. Relying more on gravity - and gravitas - the heaviness of Dead Sea Apes is far beyond an arbitrary turning up of the volume knob and a trip to the the guitar shop for just one more fuzz pedal. Underneath the slow-burn bone-rattlings and rumblings, there’s a deliberateness and nuance to their catalogue that sets them apart from other bands that traffic in bringing the ‘heaviosity’. While their influences and methods may not be obvious to the casual listener, it’s the deep divers that Dead Sea Apes speak to…
Sven Väth is looking relaxed. The global House and Techno scene continues to define his life but he deals with it now at his own pace. To his mind, all that stuff is not only brimming with life but also directed by a higher order or even by the kind of “soul” familiar to us from older historical genres such as Jazz or Blues.
Cardinal Fuzz present "Warheads", a full-length collaboration between writer/artist Adam Stone and Manchester instrumentalists Dead Sea Apes. Classic British pessimism and speculative dystopian fiction entwine with morbid social commentary and a long piss-streak of bleak humour. This is a claustrophobic and self-contained world where paranoid bunker mentality goes for a Pot Noodle with a faded society always teetering on the brink of collapse, ranting street-punk drops bad acid, and Space Station fuses with Bus Station…
The new Sorrentino's TV series is already a success and, as usual, the choice of the soundtrack is profound and extraordinary. The Young Pope soundtrack mixes classics with electronic music, forgotten Italian songs (Nada "Senza un perchè" / Roberto Murolo "Era di Maggio") with Jeff Buckley, Max Richter, John Adams, Bela Bartok, Antonello Venditti, Jefferson Airplane and Domenico Modugno. A mystic experience.
Today Acclaimed U.S electronic musician, producer and activist Moby shares a self-directed video for sultry track “sweet moon” ft. Choklate, plus Jung remix. He has also shared news of a 3rd street DJ Mix, due out August 15, 2024, that will feature new and unreleased remixes of music from his new album, always centered at night, mixed together by Moby.
The unconventional quartet of Amir Abadi (aka Dr. Atmo), Ingo Schnorrenberg, Michael Pagenstedt and former Tuxedomoon vocalist Blaine L. Reininger - having previously collaborated as Falling Infinities - returned in 1994 as U V O I I for the equally idiosyncratic Sound of Heaven, issued on the venerable Fax +49-69/450464 label headed by Pete Namlook. Atmo brings a strong ethnic rhythmic sensibility, whilst Schnorrenberg and Pagenstedt set the otherworldly, yet distinctly digital, atmosphere. Unusually for FAX, there are vocals here - Reininger recites his recondite and surrealistic poetry, as well as strained howls and some gorgeous violin contributions. Undeservedly underrated.
If you haven't yet encountered the music of Edmund Rubbra, this superbly played and recorded set of his complete symphonies would be an appropriate place to start. Rubbra may hardly be a household word on these shores, but his reputation has been rising steadily in Britain–largely due to recording projects such as the one under review here. It is a mystery to me why these brilliantly crafted, inexhaustibly inventive, and eminently likeable symphonies have not won a wider following, though perhaps in our fast-paced culture music that requires the listener's total concentration (as does Rubbra's) is not destined to win instantaneous approval.