Tavis Leaf Glover

Roger Glover is best known as the bass player of the Hard Rock flagship Deep Purple, which he has been part of all incarnations of the band since the reunion in 1984. He joined the Lord, Paice and Blackmore, together with Ian Gillan in 1969 to form the famous MK II, Deep Purple line-up which is considered the legendary, classic line-up of the band. In the ‘70s he co-wrote and played on albums like “In Rock“, “Machine Head“ and “Fireball“, not to mention “Made in Japan“. His solo works have always been on a very high musical level, showing how much influence his bass lines and musical view are essential parts of the famous Purple sound.

Of all the multitudinous highways and byways down which the enterprising Deep Purple collector can travel, none, perhaps, is so surprising as The Butterfly Ball and the Grasshopper's Feast, Purple bassist Roger Glover's first "solo" album, and – almost incidentally – one of the most delightful children's records ever made. Yes, a children's record. In 1973, Glover was approached about creating a musical adaptation of artist Alan Aldridge and poet William Plomer's book of the same name – a commission that surprised him, but which he nevertheless accepted…

As a longtime member of one of the groups that helped create heavy metal (Deep Purple, for the uninitiated), it's understandable to expect a solo outing by bassist Roger Glover to be geared toward headbangers. But as evidenced by his fifth solo album overall, 2011's If Life Was Easy, Glover has opted to follow a bluesier, roots rocky path. Which is understandable, because the whole point of doing a solo album should be to step out from under Purple's high-decibel shadow. As a case in point, a pair of tunes feature Glover's daughter Gillian Glover on vocals: "Set Your Imagination Free" and "Get Away (Can't Let You)," with the former falling in "ballad" category while the latter is a blues-rocker with blaring horn work.

Roger Glover, Ronnie James Dio, Jon Lord, David Coverdale, Tony Ashton, Glenn Hughes, Ray Fenwick, Eddie Hardin, John Lawton, and many many more… Deep Purple have always been known for their contributions to the hard rock genre. Despite this heavy reputation, the individual members have all worked outside the rock field from time to time on solo material or sessions, exploring different and often seemingly unlikely musical avenues. This two-disc set brings two such projects together for the first time. Butterfly Ball, masterminded by Deep Purple bassist Roger Glover shortly after he had left the band, forms the first half of the set and features appearances from many well known rock musicians. Glover also turns up on The Wizard's Convention, which forms the rest of this package. Eddie Hardin brought Glover together with the then current Deep Purple members Jon Lord, Glenn Hughes, David Coverdale and numerous other guests. Side by side this material forms a fascinating side line to the Deep Purple story.

Elements: Former Deep Purple bassist Roger Glover's first true solo album is an ambitious concept built around the properties and powers of the four elements – earth, wind, water, and fire – with the four principle tracks dedicated to each one in turn. Recorded with the Munich Philharmonic, plus an impressive arsenal of keyboards, percussion, and wind, the sound of the album is vast, yet never so prepossessing as to leave the listener feeling at all alienated by another ham-fisted attempt to meld rock with the classics. The Mask: Unlike the orchestral reach of his previous solo works, for The Mask Roger Glover updated his sound to slick guitar and synth rock that lands somewhere between The Fixx and Simple Minds. Having a Deep Purple member attempt eighties pop sounds like a recipe for disaster, but Glover pulls it off.

Roger Glover, Ronnie James Dio, Jon Lord, David Coverdale, Tony Ashton, Glenn Hughes, Ray Fenwick, Eddie Hardin, John Lawton, and many many more… Deep Purple have always been known for their contributions to the hard rock genre. Despite this heavy reputation, the individual members have all worked outside the rock field from time to time on solo material or sessions, exploring different and often seemingly unlikely musical avenues. This two-disc set brings two such projects together for the first time. Butterfly Ball, masterminded by Deep Purple bassist Roger Glover shortly after he had left the band, forms the first half of the set and features appearances from many well known rock musicians. Glover also turns up on The Wizard's Convention, which forms the rest of this package. Eddie Hardin brought Glover together with the then current Deep Purple members Jon Lord, Glenn Hughes, David Coverdale and numerous other guests. Side by side this material forms a fascinating side line to the Deep Purple story.

As a longtime member of one of the groups that helped create heavy metal (Deep Purple, for the uninitiated), it's understandable to expect a solo outing by bassist Roger Glover to be geared toward headbangers. But as evidenced by his fifth solo album overall, 2011's If Life Was Easy, Glover has opted to follow a bluesier, roots rocky path. Which is understandable, because the whole point of doing a solo album should be to step out from under Purple's high-decibel shadow. As a case in point, a pair of tunes feature Glover's daughter Gillian Glover on vocals: "Set Your Imagination Free" and "Get Away (Can't Let You)," with the former falling in "ballad" category while the latter is a blues-rocker with blaring horn work.

Anyone that hadn't paid close attention to the post-Purple careers of Ian Gillan and Roger Glover may have been shocked by the sound of their 1988 reunion, Accidentally on Purpose. In fact, many Purple fans might be shocked as well, since Accidentally on Purpose is hardly reminiscent of any of the group's records, relying almost entirely on synthesizers, pop melodies, introspection and breezy rhythms…

Elements: Former Deep Purple bassist Roger Glover's first true solo album is an ambitious concept built around the properties and powers of the four elements – earth, wind, water, and fire – with the four principle tracks dedicated to each one in turn. Recorded with the Munich Philharmonic, plus an impressive arsenal of keyboards, percussion, and wind, the sound of the album is vast, yet never so prepossessing as to leave the listener feeling at all alienated by another ham-fisted attempt to meld rock with the classics. The Mask: Unlike the orchestral reach of his previous solo works, for The Mask Roger Glover updated his sound to slick guitar and synth rock that lands somewhere between The Fixx and Simple Minds. Having a Deep Purple member attempt eighties pop sounds like a recipe for disaster, but Glover pulls it off.