Taylor Sands Initial Casting

Passing through India en route to Azad, King Sharaman and his son, the Prince of Persia, defeat the powerful Maharajah of India with the promise of honor and glory. After looting the city and capturing a giant hourglass full of sand, a mysterious dagger, and the Maharajah's daughter, they continue to Azad. A dying Vizier, who had betrayed the Maharajah and aided King Sharaman in return for a share of the spoils, demands to have the dagger, as he was promised his choice of the Maharajah's treasures. But Sharaman refuses to take the dagger from his son, who captured it first. So the Vizier, who wishes to harness the power of the sands in the hourglass for himself, making him an immortal god and giving him control over time itself, tricks the Prince into opening the hourglass. When the Prince uses the dagger to unleash the Sands of Time from the hourglass, it destroys the kingdom and turns its populace into savage demons. Only the Prince, the Vizier, and Princess Farah, the kidnapped daughter of the Maharajah, remain unchanged due to their possessions; the Prince's dagger, the Vizier's staff, and Farah's medallion.

In the spring of 1981 Irish Republican Bobby Sands' 66-day hunger strike brought the attention of the world to his cause. Drawing on an Irish Republican tradition of martyrdom, Sands' emotive, non-violent protest to be classified as a political prisoner became a defining moment in 20th century Irish history. Sands' death after 66 days marked a key turning point in the relationship between Britain and Ireland, and brought a global spotlight to the Northern Irish conflict which eventually triggered international efforts to resolve it.

For the past two decades, Erik Rutan has positioned Hate Eternal as a top-line act. With Hate Eternal, Rutan has toured the world, released seven full-length albums — the latest of which is the incredible Upon Desolate Sands — done business with three different record labels, and, of course, interacted with fans on a very personal level. He’s seen it all and done it all. But Rutan’s still reaching for the horizon. Always. Perpetually. Whether with Hate Eternal or behind the desk at Mana Recording Studios — a multi-use studio owned and operated by Rutan — the New Jersey native (and diehard Philadelphia Eagles fan) has a never-say-die work ethnic. The dude’s a machine. The proof of that is Upon Desolate Sands, quite possibly Hate Eternal’s most significant work since Conquering the Throne sent shock waves through late-’90s death metal.

Visiting his brother’s kingdom following his adventure in Azad, the Prince finds the royal palace under siege from a mighty army bent on its destruction. When the decision is made to use the ancient power of the Sand in a desperate gamble to save the kingdom from total annihilation, the Prince will embark on an epic adventure in which he will learn to bear the mantle of true leadership, and discover that great power often comes with a great cost.

In the spring of 1981 Irish Republican Bobby Sands' 66-day hunger strike brought the attention of the world to his cause. Drawing on an Irish Republican tradition of martyrdom, Sands' emotive, non-violent protest to be classified as a political prisoner became a defining moment in 20th century Irish history. Sands' death after 66 days marked a key turning point in the relationship between Britain and Ireland, and brought a global spotlight to the Northern Irish conflict which eventually triggered international efforts to resolve it.

Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.’s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra’s iconic Live at the Sands. Mastered from the original master tapes, our hybrid SACD version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You’ll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence.

Live at the Sands (Before Frank) is a live album by the pianist and bandleader Count Basie with performances recorded in Las Vegas in 1966 at the same concerts that produced Frank Sinatra's 1966 album "Sinatra at the Sands". The album is of the warm-up sets by Basie's band before Sinatra's performances. It was originally released on the Reprise label in 1998.