When this album was recorded in February of 1961, it had been more than year since the Portrait in Jazz was issued, the disc that won the critics over. By the time of this issue, Evans had released four albums in six years, a pace unheard of during that time. Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans' personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them - "How Deep Is the Ocean" and "Sweet and Lovely"…
The Vital Tech Tones were an American fusion supergroup formed in the mid-1990s. It was composed of Vital Information drummer Steve Smith, Tribal Tech guitarist Scott Henderson, and Bela Fleck and the Flecktones bassist Victor Wooten. The group released two albums before breaking up due to time constraints.
Brownswood are delighted to present Zara McFarlane’s, Songs of an Unknown Tongue a masterful work that underlines her continuous growth as an artist. Zara’s fourth studio album pushes the boundaries of jazz adjacent music via an exploration into the folk and spiritual traditions of her ancestral motherland, Jamaica. The album is a rumination on the piecing together of black heritage, where painful and proud histories are uncovered and connected to the present.
…Still, what Hot Hot Heat lacks in diversity is more than made up for in quality – Make Up the Breakdown is an addictive, densely packed pop gem that ranks among 2002's best albums.
An instantly captivating, all-original acoustic album of great depth and incredible maturity, the debut album (1971) by acoustic guitarist and songwriter, Steve Tilston. As for the making of the album: ''It was Ralph McTell who very kindly contacted Ian Anderson of Village Thing on my behalf,'' Tilston explained. ''I followed it up and secured a meeting with Ian and a gig at the Troubadour Folk Club. I'd met Ralph through Wizz Jones at Les Cousins in Soho, and he'd been very complimentary about my playing and writing.'' One hears echoes of Tilston's mentors and contemporaries in England's vibrant folk scene of the time: Bert Jansch (the fifth track, Train Time, sounds to these ears eerily like early Jansch); John Renbourn; Ralph McTell; Wizz Jones; Davey Graham; and Nick Drake.
These well known pieces are presented in superb sound. Carlo Ponti Jr. is the son of Carlo Ponti Sr. and Sophia Loren and is a regular conductor of the Russian National Orchestra.