This surprisingly consistent collection of unreleased material compiles a series of demos and outtakes recorded by Ken Hensley, a singer and songwriter best known for his work with Uriah Heep, between 1971 and 1982. Odds and sods compilations are often a dicey proposition, but From Time to Time manages to beat the odds with an effective combination of polished songcraft and inspired performances: The studio outtakes all boast fully realized productions (some even including a string section) and the demos aspire to studio quality thanks to tight arrangements that often differ from the released versions ("If I Had the Time" forsakes the space rock excesses of the Uriah Heep version for a lovely, country-flavored mid-tempo pace).
Ozzmosis is the seventh solo studio album by English heavy metal musician Ozzy Osbourne. Recorded in Paris and New York with producer Michael Beinhorn, it was released on 23 October 1995 by Epic Records. The album reached number 22 on the UK Albums Chart and number four on the US Billboard 200. "Perry Mason", "See You on the Other Side" and "I Just Want You" were released as singles.
"One" is the debut full-length studio album by UK progressive rock act Cirkus. Formed from the ashes of bands Moonhead and Lucas Tyson, the group's high standard of musicianship was well known in their native north-east where they attracted much attention and had a devoted following. It was felt that the quintet could achieve success on a national scale, provided management handled matters properly and they got the right breaks. In 1973 they recorded their debut album "Cirkus One" at Sound Associates/Emison & Air Studios and just 1000 copies were pressed up.
my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future.
Don't Stop The Music is the debut album released by Supermax, released in 1976. Supermax was a project of Austrian musician and producer, Kurt Hauenstein, best known for "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US. The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his origin music instrument, the bass guitar.
Quite definitely the best Bowie record of all. Every track is a winner on this recording. He's helped out by Robert Fripp on guitar who stamps his personality all over this album. 'It's No Game pt1' is the first, hardest and most discordant song on the LP and Bowie sounds berserk on it!. Things calm down a bit with 'Up the Hill Backwards' but it's an odd little tune and a strange choice as a single. The title track is fantastic, particularly with the vocoded Dalek sounding vocals. We all know how great the two hit singles are so I'll skip them.