Telarc

Mel Lewis and The Jazz Orchestra - Naturally (1979) {Telarc CD-83301 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 251 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1979, 1992 Telarc | CD-83301
Jazz / Bop / Modern Big Band / Post Bop

This was the first recording by the Mel Lewis Jazz Orchestra, made just a short time after co-leader Thad Jones surprised everyone by suddenly quitting and moving to Europe. Although Jones was gone, the band was still performing his arrangements, and all six of the charts on the set were his; plus, he was the composer of five of the tunes. With such soloists as pianist Jim McNeely, altoist Dick Oatts, trumpeter John Marshall, and the tenors of Bob Rockwell and Richard Perry (along with plenty of tight ensembles), it was clear that the orchestra would live on. Worth searching for.

Lionel Hampton & The Golden Men Of Jazz - Live at the Blue Note (1991) {Telarc CD-83308}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 322 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 300 dpi (png) -> 19 Mb | 5% repair rar
© 1991 Telarc | CD-83308
Jazz / Mainstream Jazz / Swing / Vibes

For a 1991 gig at the Blue Note in New York, vibraphonist Lionel Hampton headed a nonet full of classic veterans that were termed "the Golden Men of Jazz": trumpeters Clark Terry and Harry "Sweets" Edison, tenors James Moody and Buddy Tate, trombonist Al Grey, pianist Hank Jones, bassist Milt Hinton and drummer Grady Tate. Even with its many loose moments, these great players came up with some notable moments, including James Moody's humorous vocalizing on "Moody's Mood for Love" and particularly fine playing by Terry and Grey; Tate and Edison do show their age a bit, but are welcome participants in what must have been an occasion for celebration.

It is easy to have low expectations for this CD because Jeremy Davenport was clearly being positioned to be "the next Chet Baker," though he did not succeed. The seven cover boy photos make it a little difficult to take him seriously and the originals that he contributed to the set (particularly "Was It Something I Did?," which has abysmal words) are not too memorable. But, on the other hand, he plays trumpet well, his vocals, which sound much closer to Harry Connick, Jr. than to Baker, have their charm, and Davenport is fairly rewarding on the standards (such as "They Can't Take That Away From Me," "I'm Old Fashioned," and "I'm in the Mood for Love").

While it's true that Oscar Peterson compilations appeared with regularity form the early '60s on, only a few of them – as with most recording artists – have any real merit. This two-disc collection from the Concord Music Group's Telarc label, is one of them. Appearing less than a year before his death, this compilation concentrates on recordings issued from the '50s through the middle of the '80s on Dizzy Gillespie's Pablo label, and those made for Telarc between 1990 and 2000. Many live dates are included here from both labels, including "Tenderly" with Herb Ellis and Ray Brown at the J.A.T.P. concerts in Japan; the trio dates at Zardi's in 1955 ("How High the Moon"), in Copenhagen with Joe Pass, Stéphane Grappelli, and Niels-Henning Ørsted Pedersen in 1979, and Mickey Roker in 1979 ("Nuages")….

Occasionally an artist appears with talent that transcends the scope of normality and now we have this phenomenal new pianist named Hiromi Uehara from Shizuoka, Japan that explodes on the music seen with unheralded momentum fusing the gap of jazz, classical and rock. At 24 “Hiromi” makes her debut on Telarc Jazz titled “Another Mind” produced by legendary pianist Ahmad Jamal & Richard Evans.

Available in multi-channel surround SACD only!
Telarc offers this multi-channel discrete surround classical SACD sampler featuring some of our top classical artists including Paavo Jarvi, Erich Kunzel, Benjamin Zander, Donald Runnicles, Robert Spano and many others…