Telerik Controls 2014 Q1 Full

Released by Legacy in the U.K., this compact box set contains 20 albums – inside adequate LP replica sleeves – released by Philadelphia International. When it was issued, it retailed at a price that was roughly equivalent to the sum of three or four full-price titles, which made it a significant bargain. These albums don't represent the absolute best that PIR had to offer; instead, the box offers an assortment of commercial hits and misses, creative masterpieces and not-quite-failures, and showcases a significant portion of the label's roster.

Lisa Stansfield is an English singer, songwriter and actress. This box is a perfect way to collect the "first" era of Lisa's discography at Arista! All albums are clearly remasters as 2 Cd sets with remixes and -some- rare tracks… It ends with a 3Cds remixes compilation of remixes that makes it nearly awesome! The only things missing here are some single edits (Maybe Edsel thinks of it for a new compilation?), a bunch of remixes, and some collaboration tracks that did not belongs to Arista… and obviously the "very first" Lisa's recording when she was so young…

This 28 CD box set includes the Argo jewels from Marriner’s early recording days with the chamber orchestra he founded in 1958, The Academy of St Martin in the Fields. The edition spans the years 1964-1981, and includes a bonus CD of the first recordings from 1961.The collection concentrates on the Argo years, when the pattern for the Academy’s success was set. Winning performances by soloists such as Alan Loveday and Iona Brown — who in 1974 became Marriner’s successor in directing from the violin – were a key part of the fabric of the Academy’s unique sound. Highlights in this box include the legendary recording of Vivaldi’s Four Seasons, and full performances of Handel’s Messiah and Mozart’s Requiem.

Malcolm Sargent's reputation as one of the great popularizers of classical music in Britain arose not only through his long association with the Henry Wood Promenade Concerts (1947-67), but was evident much earlier through chief conductorships of the Halle (1939-42), Liverpool Philharmonic (1942-48), and BBC Symphony Orchestras (1950-57).
By the time he became a fixture at the Proms in 1947 Sir Malcolm (he was knighted in 1947) his was one of the best-known names in England. In personality, showmanship, and energy he was ideal for the nightly concerts.

Released by Legacy in the U.K., this compact box set contains 20 albums – inside adequate LP replica sleeves – released by Philadelphia International. When it was issued, it retailed at a price that was roughly equivalent to the sum of three or four full-price titles, which made it a significant bargain. These albums don't represent the absolute best that PIR had to offer; instead, the box offers an assortment of commercial hits and misses, creative masterpieces and not-quite-failures, and showcases a significant portion of the label's roster.

A luxurious and authoritative 64CD orchestral and concerto set, celebrating one of the world’s great orchestras and their 64-year relationship with Decca Classics. Few labels can claim to be so associated with a city as inextricably as Decca is with Vienna. No history of classical recordings would be complete without a chapter documenting how both Decca and the WP worked to perfect the art of recording in the city’s great concert halls, most notably in the famous Sofiensaal.

2014 Limited Edition deluxe individually numbered 50 CD boxes et with all of conductor Zinman's Zurich recordings. Includes the complete Beethoven Symphonies, concertos & overtures, complete Mozart Violin Concertos played by Pamela Frank, plus complete cycles of Brahms, Mahler, Schubert, Schumann & Richard Strauss.

A luxurious and authoritative 64CD orchestral and concerto set, celebrating one of the world’s great orchestras and their 64-year relationship with Decca Classics. Few labels can claim to be so associated with a city as inextricably as Decca is with Vienna. No history of classical recordings would be complete without a chapter documenting how both Decca and the WP worked to perfect the art of recording in the city’s great concert halls, most notably in the famous Sofiensaal.