Ten Years After Rock & Roll Music to The World

The Complete Album Collection is Paul Simon's Complete Recorded Works – minus Simon & Garfunkel, of course, along with "Slip Sliding Away" – and, as a whole, it is a mightily impressive body of work, showcasing an artist who remains restless and curious four decades into his career. The package is handsome, presenting each CD as a mini-LP, the sound is terrific, the price is affordable, and the scope is complete, so The Complete Album Collection is in every way an upgrade over the previous The Complete Studio Recordings.

The Complete Show from December 19, 1989 Convention Center Atlantic City, New Jersey.
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock.

This legendary Rolling Stones concert filmed during their Japanese tour (Tokyo February 1990) features outstanding performances of classic Stones tracks.
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock.

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…

The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll – including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.

In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept across Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It." A smash hit right out of the gate, "Move It" kicked off an astonishing five decades' worth of hits (his last time in the U.K. Top 10 was, as of this writing, in 2008, when "Thank You for a Lifetime" went to three).

The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll including the fact that they were the first home-grown British rock & roll band to dominate the U.K. charts; or that they weren't originally an instrumental group, either.

Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite often countervailing trends. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994. This popularity was a mark of his success at singing and promoting the American popular song as it was written, particularly in the 1920s, '30s, and '40s…