Ten on Sunday

John Martyn's follow-up to 1973's Inside Out is a much more song-oriented, less experimental effort which concentrates on the joys of home and family. Sunday's Child skillfully blends the sensual ("You Can Discover") with the sweet ("My Baby Girl"), the modern ("Root Love") with the traditional ("Spencer the Rover"), and the tormented ("Sunday's Child") with the satisfied ("Satisfied Mind," "Call Me Crazy") while retaining its cohesiveness. The record, his sixth on his own, shows the many facets of Martyn's playing, from his effects-driven electric guitar to his signature acoustic work, which can be both aggressive ("The Message") and gentle ("Lay It All Down"). This album contains a collection of strong original songs, as well as a pair of wonderful covers: the traditional British ballad "Spencer the Rover" and the country standard "Satisfied Mind." His last recording of new material for three years, Sunday's Child is a fine farewell to this period of Martyn's ever-changing career.

This collection of classic Aretha Franklin songs includes timeless hits like "Just for a Thrill", "Maybe I'm a Fool", "Unforgettable", "Only the Lonely", "Until You Were Gone", "Blue Holiday" and more.
Aretha Franklin was one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. Her astonishing run of late-'60s hits with Atlantic Records earned her the title Queen of Soul…

Sunday Express – Live is the third (double) live album by Scottish rock band Simple Minds, released in April 2007. Simple Minds arranged to release two promotional exclusive free live CDs in April 2007 through the UK newspaper The Sunday Express, making it only the band's second official double live release in its entire career, the first one being Live in the City of Light released in May 1987.

Bill Evans Trio - Sunday At The Village Vanguard (1961) {2008 Riverside} [Keepnews Collection Complete Series] (Item #23of27)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 459 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 600 dpi (png) -> 311 Mb | 5% repair rar | 24-bit remastering
© 1961, 2008 Concord / Riverside | 0888072305090
Jazz / Post Bop / Modal Music / Piano

Conventional wisdom, which in this case may be right, holds that Bill Evans' storied career peaked on June 25, 1961, a date that yielded two live records, Sunday at the Village Vanguard and Waltz for Debby, the final two documents of Evans' first, and best, trio, with bassist Scott LaFaro and drummer Paul Motian. In the two years he'd been playing with Evans, LaFaro had opened up new possibilities for the jazz bass, playing with a harmonically oblique, melodically flexible style that was, at the time, unprecedented. Ten days after this record was made he died, just 25 years old.