French electronic music guru Jean Michel Jarre returns to recording after a seven-year studio hiatus. Many have accused Jarre of being in a musical rut since the '90s, but as evidenced by Téo and Téa, he may be retro but he's far from tired. This album includes the bad-ass title track single that has been taking over dancefloors in Europe since the end of 2006; its four on the floor house rhythm is shaded and textured with all manner of narrated voices, programmed analog synths, polythrythms and all manner of slamming, over the top house. Its cheesy sounds blend seamlessly with the more substantive ones. Jarre collaborates with string arranger and guitarist Claude Samard who also uses all manner of digital equipment to get delays on orchestral textures and sonically enhanced analog sounds to behave…
Celebrated as the European electronic music community's premier ambassador, composer Jean Michel Jarre elevated the synthesizer to new peaks of popularity during the 1970s, in the process emerging as an international superstar renowned for his dazzling concert spectacles…
Jarre was born in Lyon on 24 August 1948, the son of composer Maurice Jarre, and French Resistance member and concentration camp survivor France Jarre (nee Pejot). His parents separated when he was five years old, his father moved to the United States, and Jarre remained with his mother in the suburbs of Paris. Jarre would not meet his father again until he was eighteen. He was born into a family of artists; his Grandfather, André Jarre, was an oboe player, an engineer, and an inventor. André perfected the first audio mixer, used at Radio Lyon, and also gave Jean Michel his first record player. For the first eight years of his life, for six months of each year he resided at his Grandparent's flat along the Cours de Verdun, in the Perrache district of Lyon. The young Jarre would watch street performers from the window of the flat, and has cited their music as an influence on his art (traces of this can be found on his album Équinoxe, particularly "Équinoxe Part 8").
Celebrated as the European electronic music community's premier ambassador, composer Jean Michel Jarre elevated the synthesizer to new peaks of popularity during the 1970s, in the process emerging as an international superstar renowned for his dazzling concert spectacles…
The compositions herein are performed by two of the famed Charles Mingus Jazz Workshop groups and they are considered among his best recorded works. These 1954 recordings represent the grass roots from where all the innovative forms and expressions of tomorrows jazz conceived by Mingus really began. From then on, Mingus became the most influential composer and bassist of various generations in jazz history. After its first date, he said about the improvised interplay between every instrument: I feel that it is usually impossible to attempt such delicacies with musicians who do not enjoy the unusual freedom or understand the thought of the leading instrument. Teo Macero, John LaPorta, George Barrow and Mal Waldron, of course, are just as responsible as I am for the final construction.