The 14 Sign Zodiac, Nam H. Nguyen

This recording of Marc-Antoine Charpentier’s two sacred masterpieces is one of the only forays Neville Marriner ever made into French baroque. Full of elegance and refinement, this rendition features great vocal soloists such as Ann Murray, Daw Upshaw or John Aler.

Much more than a usual "Best Of" album, on these double CD-sets the musicians themselves picked out 24 pieces, which they feel represent the most important, significant and personal selections from their repertoire. Remastered and given the best possible post-production. An excellent introduction for established fans as well as newcomers, who have yet to discover the musicians and their art.
Nguyên Lê opens his Signature Edition with a kind of prelude: the previously unreleased track "Magic Constant" introduces the listener to his incomparable musical kingdom, full of very different landscapes. There are pure classic adaptations (for instance on the traditional "Lo Rossinyol") as well as abstract clusters of contemporary music; many pieces are defined by Vietnamese music traditions…

The dozen signs of the Zodiac are ruminated upon during the pseudo-psychedelic Cosmic Sounds. This embarrassingly dated "concept" album was issued in late 1967 on Elektra Records . The recording – replete with equally absurd cover art – helped usher in the "age of Aquarius." Judging by the astrological psycho babble in these grooves, it may too have been the age of excess. But what should one expect from an album whose caveat reads "Must Be Played In The Dark"? Cosmic Sounds narrator Cyrus Faryar's other credits include proficiencies as a bouzouki player, bassist, guitarist, and sometimes vocalist for a plethora of diverse artists, namely Dave Guard & the Whiskeyhill Singers and the Modern Folk Quartet, as well as guest spots on albums by Mama Cass Elliot, Crosby, Stills & Nash, Buffalo Springfield, Fred Neil, and even the Firesign Theatre.

“Sunshine of Mine” is the latest album from Billboard chart-topping artist and multi-platinum producer Emmanuel “U-Nam” Abiteboul. An eclectic concoction of eight original compositions plus two carefully crafted covers it opens with the easy grooving title cut that takes its name from the love U-Nam has for his six year old son Myles who, quite literally, is the sunshine of his life. Indeed, the sumptuous “Little Dreamer” again underscores the bond a father has with his son. From mellow beginnings that gradually evolve into a pulsating beat, U-Nam calls on the combined artistry of Kim Hansen on keys and Michael White on drums yet still stays at the epicentre of the entire piece.