The Allman Brothers Band The Capricorn Years 9cd Box [japan] (2007) [flac]

Super deluxe edition of "Brothers And Sisters" release from The Allman Brothers Band. This Japanese edition exclusively features the high-fidelity SHM-CD format. Disc 1 includes original remastered album. Disc 2 includes outtakes from studio sessions. Disc 3 & 4 includes unreleased live tracks from a concert held at Winter Land in San Francisco. This set comes with a 36-page book and features soft packaging with 10 panels.

Idlewild South is the second studio album by American rock band the Allman Brothers Band. With the exception of one song, the album was produced by Tom Dowd and was released on September 23, 1970 in the United States, by Atco Records and Capricorn Records. Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs. As a result of the band's relentless touring schedule, Idlewild South was recorded gradually over a period of five months in various cities, including New York, Miami, and Macon, Georgia, the band's adopted home.

Idlewild South is the second studio album by American rock band the Allman Brothers Band. With the exception of one song, the album was produced by Tom Dowd and was released on September 23, 1970 in the United States, by Atco Records and Capricorn Records. Following the release of their 1969 debut, the Allman Brothers Band toured the United States extensively to promote the album, which had little commercial success. Their performances, however, did create positive word of mouth exposure that extended to more famous musicians, such as Eric Clapton, who invited group leader Duane Allman to contribute to his 1970 album Layla and Other Assorted Love Songs. As a result of the band's relentless touring schedule, Idlewild South was recorded gradually over a period of five months in various cities, including New York, Miami, and Macon, Georgia, the band's adopted home.

To anthologize the often overshadowed solo career of Brother Gregg Allman, Capricorn Records released this luscious, 34-track, 2CD collection in 1997 entitled One More Try: An Anthology. But, instead of packing it with “hits,” someone got the bright idea to stuff it full of demos, band rehearsals and 26 previously unreleased recordings. Which is very cool for fans and collectors. So… is there a buzz killer here, you ask? Of course. Just two years later, Capricorn unceremoniously deleted the collection. Maybe the bean counters were bummed at the lack of radio-worn favorites, or Capricorn thought a by-the-book Best Of would sell better. Perhaps Allman himself just changed his mind about having it out there. Who knows? But what got overlooked is that One More Try: An Anthology might be the single most interesting release in Allman’s solo catalog. The recordings often showcase Gregg alone on acoustic guitar. Some are live band rehearsals. Even the Allman Brothers Band staple, “Wasted Words,” appears here as a loose studio jam featuring Johnny Winter, Buddy Miles and the late Berry Oakley. Polished or not… profitable or not… perhaps this is the best way Gregg Allman deserves to be heard, by himself or just casually jamming with friends.

To anthologize the often overshadowed solo career of Brother Gregg Allman, Capricorn Records released this luscious, 34-track, 2CD collection in 1997 entitled One More Try: An Anthology. But, instead of packing it with “hits,” someone got the bright idea to stuff it full of demos, band rehearsals and 26 previously unreleased recordings. Which is very cool for fans and collectors. So… is there a buzz killer here, you ask? Of course. Just two years later, Capricorn unceremoniously deleted the collection. Maybe the bean counters were bummed at the lack of radio-worn favorites, or Capricorn thought a by-the-book Best Of would sell better. Perhaps Allman himself just changed his mind about having it out there. Who knows? But what got overlooked is that One More Try: An Anthology might be the single most interesting release in Allman’s solo catalog. The recordings often showcase Gregg alone on acoustic guitar. Some are live band rehearsals. Even the Allman Brothers Band staple, “Wasted Words,” appears here as a loose studio jam featuring Johnny Winter, Buddy Miles and the late Berry Oakley. Polished or not… profitable or not… perhaps this is the best way Gregg Allman deserves to be heard, by himself or just casually jamming with friends.

Eat a Peach is a 1972 double album by American rock band the Allman Brothers Band, containing a mix of live and studio recordings.

A good if not ideal one-disc best-of by the venerable American institution, this set has all the hits (including Greg's solo "Midnight Rider") and studio versions of most of the concert favorites (translation: don't expect the usually epic "In Memory of Elizabeth Reed"). Interestingly, for a band that first made its mark as a contemporary blues band, not much of the material here is blues per se ("Whipping Post" being the obvious exception), so if you're considering buying this you might want to check out the previously available DECADE OF HITS: 1969-1979, another one-disc best-of that gives a more well-rounded view of the band's music.

Eat a Peach is the third studio album and the first double album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released on February 12, 1972, in the United States by Capricorn Records. It was the band's fourth album since their debut The Allman Brothers Band in 1969; released as a double album, it constitutes both their third studio album and second live album, containing a mix of live and studio recordings released in 1972. Following their artistic and commercial breakthrough with the July 1971 release of the live album At Fillmore East, the Allman Brothers Band got to work on their third studio album. On release Eat a Peach was an immediate commercial success and peaked at number four on Billboard's Top 200 Pop Albums chart. The album was later certified platinum and remains a top seller in the band's discography.