The Angel of Vengeance – The Female Hamlet Aka Kadin Hamlet (1977) Metin Erksan, Fatma Girik, Sevda Ferdag, Reha Yurdakul

If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems - the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" - which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself). Three songs, three quick shifts in mood, but that's hardly the end of it. As the News rolls on, you're treated to the arch, campy crooning of "My Melancholy Blues," a shticky blues shuffle in "Sleeping on the Sidewalk," and breezy Latin rhythms on "Who Needs You"…

Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such a whiplash.

If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems – the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" – which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself). Three songs, three quick shifts in mood, but that's hardly the end of it.

Tritonus was founded in 1972 by keyboardist, composer and producer Peter Seiler. From the beginning the plan was to make orchestral rock music and classical music should serve as the foundation of the sound. The release of the self-produced single ('The Way of Spending Time') followed in 1975 the debut album 'Tritonus' (Bellaphon) which caused quite a stir. In September 1976, with the second album 'Between The Universes' (Bellaphon) the band had found its ultimate sound. Even more than before the synthesizers determined the sound of Tritonus, the album brought Peter Seiler also the reputation of being the best German synthesizer player of this genre. The album was presented live extensively and achieved great reviews in the press…