The Art Of Memory

The Art of Losing is the second album from Welsh multi-instrumentalist The Anchoress (aka Catherine Anne Davies), following up on her critically acclaimed debut album, Confessions of A Romance Novelist, which was named amongst the Guardian critics’ Albums of the Year, won HMV’s Welsh Album of the Year, Best Newcomer at the PROG awards, and a nomination for the Welsh Music Prize.

Art of Fingerstyle Guitar album for sale was released Nov 26, 1991 on the Shanachie label. Featured guitarists include: Peter Finger, John Renbourn, Dave Evans, Leo Wijnkamp Jr., Davey Graham and Bert Jansch. Art of Fingerstyle Guitar CD music contains a single disc with 25 songs.

David Sylvian and Russell Mills - Ember Glance (The Permanence of Memory) (1991) {Virgin, DSRM 1}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 161 Mb | MP3 @320 -> 85 Mb
Full Artwork + Book @ 600 dpi (png) -> 1.43 Gb | 5% repair rar
© 1991 Venture / Virgin Records | DSRM 1
Electronic / Abstract / Ambient

Music tracks to accompany an installation of sculpture, sound and light by David Sylvian and Russel Mills, from 29 September to 12 October 1990, staged at the Temporary Museum on Tokyo Bay, Shinagawa. Box complete with 96 page book which chronicles the entire installation as well as biographical history of both artists.

Although familiar with the Art of Fugue for much of my life, I did not set about learning it in its entirety until 2020. When Covid-19 put all concert life on hold, like my fellow musicians, I was left homebound with an ever increasing calendar of cancellations; my first Art of Fugue recital was the one I mourned the most. I took advantage of the time of seclusion to immerse myself in the work. Day after day, I turned to it for comfort, for inspiration and for connection in an unsure world. To be in constant awe at Bach’s limitless imagination and skill while challenging myself to hear - really hear - all that was going on, elevated my mood and gave me great joy. It was an act of devotion. I cherish the memory of it.

THE SAMURAI OF PROG was born in 2009, project and nickname of Marco BERNARD who worked on Colossus and Musea; its philosophy is to integrate guest musicians according to album releases; 15 including three per year since 2020, impressive. Kimmo PÖRSTI and Steve UNRUH forming the backbone, after covers of MARILLION and other groups, they embark on personal compositions from 2014 to make music of quality and emotion; themes on short stories such as Gulliver, Robinson Crusoe or Grimm's tales. Here it's S-F composed by Marco GRIECO for a symphonic prog stamped 70's. "Anthem To The Phoenix Star" on travel with the constraints of time and space as a preamble, a PINK FLOYD sound for bass, Marek's sax and Juhani's guitar, voice-overs including that of Clive NOLAN forming a spatial soundtrack where the synthesizer is king and where the universe shaped is indeed dystopia…

A decent debut album, featuring a lively mix of hard-rock and r&b with progressive rock, folk, and blues sources. Ex-King Crimson alumnus Mel Collins blows the sax, and Fairport Convention's Martin Allcock and Ric Sanders turn up on a couple of tracks, but the dominant sound is Barre's guitars, soaring, crunching, grinding, or noodling gently, either blues or English folk tunes–he's not as focused here as he is on Tull's records, and his sense of melody isn't as strong as Ian Anderson's, but his playing can be entertaining and diverting. The folk-like title track is practically a lost Tull number, with a great beat and Barre singing like Anderson while playing a sweet mix of acoustic and electric guitars and mandolin. But most of the rest here is blues, r&b, and hard rock–Maggie Reeday provides the soulful lead vocals on "A Blues For All Reasons," sharing the spotlight with Barre's stinging solos and acoustic blues noodlings, and Andy Giddings' pumping Hammond organ. Some of the lyrics are dispensible, and the material doen't hold up for 50 minutes, but any fan looking for something between Tull tours may enjoy it.

The Man Who Sold The World David Bowie’s landmark entry into the 1970s not only began the collaboration with guitarist Mick Ronson that would continue with such Bowie classics as Hunky Dory, Ziggy Stardust and Aladdin Sane, it kicked off a 10-year run of indispensable albums stretching through 1980’s Scary Monsters.