Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields.
Last year saw the launch of the David Munrow Edition on Virgin Veritas (9/96). The series continues with this, arguably Munrow’s most consistent and most polished collection, devoted to the sacred and secular polyphony of the mid-to-late fifteenth century. These recordings remain marvellously fresh and vital – even in the case of pieces that have since had more polished or more clearly recorded interpretations.
Follow Ellie's profound and harrowing journey of vengeance through an exhaustive collection of original art and intimate creator commentary in the full-color hardcover volume: The Art of The Last of Us Part II. …