This is the bomb! It goes off with spectacular flair. From back at a time when it was the sax (not the guitar) that was the primary instrument in rock’n’roll, the various artists on This Is The Night: Lessons In Wild Saxophonology (Koko Mojo) run the gamut from Rosco Gordon’s “Tummer Tee,” Jimmy Tolliver’s “Hoochie Kootchie Koo” and Kansas City Jimmy’s “Cheating Woman” to Screaming Joe Neal’s “She’s My Baby,” Johnny Wright’s “Look At That Chick” and Otis Riley’s “Little Miss Bibbitty Bobbitty Boom” (highlights all). But wait, there’s more. From “Hot Tamales” by Noble Watts, “Way Out” by The Vibrators and “I’m Gonna Whale On You” by the politically incorrect Little Arthur Mathews to “Huchia Cuthia Lovin’ Man” by King Alex & The Untouchables,” these unbelievably great jump-blues and rockin’ rhythm rides will have you heaving and twitching. Scouring the depths of ‘50s and ‘60s sides (with some ‘40s thrown in too), it never fails to amaze how many poppin’ pulsating slabs of wax were made by little-known artists from long-ago and far-away. Well, here they are!
On January 12, 1970, 'Time' magazine placed The Band on its cover with the headline, 'The New Sound of Country Rock.' In the taxonomy of popular music, Country Rock was now a thing, a categoryby 1970. There were Country Rock browser bins in some stores, and trade magazines like 'Billboard'routinely classified records as country-rock or country/rock, expecting readers to know what they meant.
The blues didn’t stop with the end of the 50s – as soul ruled the charts, the grittier end of black music was well represented by the artists on this compilation. Great guitar playing to the fore.
Two years in the making, Close To The Noise Floor is a 4CD, 60-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson.
On January 12, 1970, 'Time' magazine placed The Band on its cover with the headline, 'The New Sound of Country Rock.' In the taxonomy of popular music, Country Rock was now a thing, a categoryby 1970. There were Country Rock browser bins in some stores, and trade magazines like 'Billboard'routinely classified records as country-rock or country/rock, expecting readers to know what they meant.