The B 52s Live at The Roxy

IN 1988 FORMER ROLLING STONES guitarist Mick Taylor began what was to be a significant series of collaborations with L.A. based Carla Olson, first with their “Live at the Roxy” album Too Hot For Snakes, the centrepiece of which is an extended seven-minute performance of “Sway” included on this album. It was followed by Olson’s Within An Ace, which featured Taylor on seven songs. He appeared on three songs from Reap The Whirlwind and then again on Olson’s The Ring of Truth, on which he plays lead guitar on nine tracks, including a twelve-minute version of the song “Winter”. Further work by Olson and Taylor can be heard on the Olson-produced Barry Goldberg album Stoned Again. This is the best of their collaborations.

Frank Zappa & The Mothers - Roxy & Elsewhere (1974) + One Size Fits All (1975) {2012 UMe Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 752 Mb | MP3 @320 -> 265 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb
© 2012 UMe / ZFT | ZR 3852 / ZR 3853
Rock / Experimental Rock / Jazz Rock

After his affair with jazz fusion (Waka/Jawaka and The Grand Wazoo, both released in 1972), Frank Zappa came back in late 1973 with an album of simple rock songs, Over-Nite Sensation. But the temptation for more challenging material was not long to resurface and, after a transitional LP (Apostrophe, early 1974), he unleashed a double LP (reissued on one CD) of his most complex music, creating a bridge between his comedy rock stylings and Canterbury-style progressive rock. Three-quarters of the album was recorded live at the Roxy in Hollywood and extensively overdubbed in the studio later.

Bruce Springsteen AKA The Boss was a singer songwriter signed to Columbia records in the early seventies. Having recorded two critically well received albums (Greetings From Asbury Park and The Wild the Innocent and the E Street Shuffle) he broke through commercially worldwide with the album Born To Run which was released on the 25th August 1975. Whilst the album broke Bruce his relationship with his manager had soured to the extent that he was subsequently embroiled in litigation for two years and unable to record for over twelve months. This gave Bruce and the band the opportunity to hone their craft by playing extensively across the USA and also a well-documented appearance in the UK. This recording is the complete performance from a stint at The Roxy in Los Angeles in October 1975. The set was broadcast on radio and is considered to be one of the great live performances featuring songs from the recently released Born To Run album and also key songs from his previous two albums alongside some covers which he made his own in new arrangements.

Alphonse Mouzon, Ronnie Laws, Donal Byrd - Blue Note Live At The Roxy Vol. 1 (1976) {2012 Japanese BNLA Series TOCJ-50533}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 313 Mb | MP3 @320 -> 112 Mb
Full Artwork @ 600 dpi (png) -> 308 Mb | 5% repair rar | 24-bit remaster
© 1976, 2012 Blue Note / EMI Music Japan | TOCJ-50533
Jazz / Hard Bop / Post Bop / Soul Jazz / Jazz Funk

An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others – yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio – playing live and extremely funky!

Carmen McRae, Earl Klugh, Blue Note All-Stars - Blue Note Live At The Roxy Vol. 2 (1976) {2012 Japanese BNLA Series TOCJ-50534}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 286 Mb | MP3 @320 -> 116 Mb
Full Artwork @ 600 dpi (png) -> 356 Mb | 5% repair rar | 24-bit remaster
© 1976, 2012 Blue Note / EMI Music Japan | TOCJ-50534
Jazz / Hard Bop / Post Bop / Soul Jazz / Jazz Funk

An overlooked gem from Blue Note – a special live performance that brings together some of the label's funkiest and most soulful artists of the 70s! The set's somewhat unusual for Blue Note at the time – especially given the label's increasingly studio-driven approach to jazz, with projects by the Mizell Brothers and others – yet given that bent, the whole thing's a great illustration of the vibrancy of all these artists always from the studio – playing live and extremely funky!