The Bad Plus It's Hard

Whitesnake scored its first platinum-selling album in 1984 with Slide It In, a release that has sold more than six million copies worldwide thanks to hard-rocking songs like “Love Ain’t No Stranger,” “Slow An’ Easy” and the title track. The classic album turns 35 this year!

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Amid the decaying elegance of cold-war Vienna, psychoanalyst Dr. Alex Linden (Art Garfunkel) becomes mired in an erotically charged affair with the elusive Milena Flaherty (Theresa Russell). When their all-consuming passion takes a life-threatening turn, Inspector Netusil (Harvey Keitel) is assigned to piece together the sordid details. Acclaimed for its innovative editing, raw performances, and stirring musical score - featuring Tom Waits, the Who, and Billie Holiday - Nicolas Roeg’s Bad Timing is a masterful, deeply disturbing foray into the dark world of sexual obsession.

A Deluxe 2CD Boxset LIMITED EDITION version of the current album by the legend that is Suzi Quatro. Disc One is the standard version of the In The Spotlight album that has been in the Top 5 Cherry Red sellers list since its release in the summer of 2011, and which contains the Download single "Whatever Love". Is Disc Two contains EIGHT PREVIOUSLY UNRELEASED DEMO STUDIO tracks plus two ENHANCED VIDEO tracks also getting a release for the first time (and which were directed by ex- Runaway Vicki Blue). Housed in a Clam Shell Box that features both CDs in individual wallets, a 24 page booklet complete with lyrics and notes by Suzi plus a repro Tour Laminate this is a true Fan s Edition. The media response to the original release of In The Spotlight was more than favourable with rave reviews coming in all the major Rock press and daily media with the general consensus that this is one of the best albums in Suzi's entire 40 year career.

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Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

Robert Zemeckis is arguably a close second behind Steven Spielberg as the contemporary American director who has most consistently gained critical acclaim while generating massive box office and popular appeal with a slew of iconic films. Even Zemeckis' purported failures—and there indubitably are some—are often lionized for their breathtaking vision and utilization of modern special effects techniques like motion capture. But just a cursory review of the man's contributions to film over the past 40 years reveals a staggering array of acclaimed and often insanely popular titles: Romancing the Stone, Who Framed Roger Rabbit, Forrest Gump, Contact, Cast Away….

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