The Bof Mose Allison

Besides cool playing and his uniquely smoky singing, Mose has great taste in material. "Hey Good Lookin'" fits right in with revisited versions of "I Love the Life I Live," "I Ain't Got Nobody" and "Baby Please Don't Go," complete with what the singer himself calls his distinctive "involuntary groan" during the piano solo. Teo Macero's intimate production makes it feel like you're right there in the studio.

The Mose Allison installment in Atlantic's Jazz Anthology series of 1970 is superior to most in that line simply on the grounds of time. Since Allison's songs were usually brief, Atlantic was able to fit 12 of them onto a single LP and thus provide a wider selection of his output, unlike others in that series that included only five or six tracks, making it serve as a pretty good capsule introduction to one of American music's most idiosyncratic individualists. Many of his most famous songs are here – "Your Mind Is on Vacation," "New Parchman," "I'm the Wild Man," "I Don't Worry About a Thing," and "Your Molecular Structure," along with covers like "Rollin' Stone" and a rushed live remake of his biggest "hit," Willie Dixon's "Seventh Son".

Mose Allison, one of the top lyricists of the '90s, shows throughout this entertaining CD that his powers as a pianist and singer are also very much intact. The album introduces a few new classics in "Certified Senior Citizen," "This Ain't Me" and "Who's in, Who's Out." His voice is still in prime form and his piano playing remains quite unique. It is true that the guests on the set (guitarist John Scofield, altoist Joe Lovano, Bob Malach on tenor and trumpeter Randy Brecker) are not all that necessary but Allison's performance makes this an excellent showcase for his music.

Mose Allison - My Backyard (1990) {Blue Note CDP 7 93840 2 rec 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 269 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1990 Blue Note | CDP 7 93840 2
Jazz / Hard Bop / Jazz Blues / Piano

Mose Allison's career in his golden and quite fruitful years has yielded many surprises and challenges, not the least of which is this delightful offering. He continues to write attractive, bouncy, and fun tunes carried by his signature roiling piano style and sly lyrics. For this effort, producer and Allison disciple Ben Sidran hooked him up with musicians from the modern New Orleans jazz scene, including Astral Project members – the extraordinary drummer John Vidacovich, tenor saxophonist Tony Dagradi, and guitarist Steve Masakowski.

Basic, no-frills anthology of 13 of his better late-'50s Prestige sides, all of which feature his vocals. It has most of his most famous songs, particularly to listeners from a rock background, including his versions of "The Seventh Son," "Eyesight to the Blind" (covered by the Who on Tommy, though Sonny Boy Williamson did it before Allison), "Parchman Farm" (done by John Mayall), and "Young Man's Blues" (also covered by the Who). Were it not for the significant omission of "I'm Not Talking" (retooled by the Yardbirds), this would qualify as the basic collection for most listeners. Greatest Hits does include liner notes by Pete Townshend, originally penned for a 1972 collection.