The Bounty Hunter Code: From The Files of Boba Fett

‘Far Horizons’ presents the groups four legendary studio albums, fully remastered under Brian’s guidance, with digitally restored artwork.

‘Far Horizons’ presents the groups four legendary studio albums, fully remastered under Brian’s guidance, with digitally restored artwork.

‘Far Horizons’ presents the groups four legendary studio albums, fully remastered under Brian’s guidance, with digitally restored artwork.

Considering the amount of quality music the ad hoc Canadian singer/songwriter "supergroup" has released under the Blackie & the Rodeo Kings moniker – five albums, including a double from 1996-2007 – this 14-song, 55-minute set should have used the extra 20 minutes of its CD playing time to better advantage. The trio – Colin Linden, Tom Wilson, and Stephen Fearing, all solo artists with well-regarded catalogs of their own – began life by covering the songs of journeyman Canadian songwriter Willie P. Bennett before expanding into original material…

Mozart really liked the number 5. Aside from the group of six string quartets dedicated to Haydn, just about all of his greatest chamber works are quintets, and some of them are very unusual too. This particular set contains three magnificent late string quintets, the ever popular Clarinet Quintet, and weirdly wonderful Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello. A glass harmonica, by the way, is a set of water-filled glasses that you set spinning and play with moistened fingertips. It was invented (or at least perfected) by Benjamin Franklin, and was wildly popular in Mozart's day, particularly among amateur female performers. An excellent collection in every respect.

Mozart really liked the number 5. Aside from the group of six string quartets dedicated to Haydn, just about all of his greatest chamber works are quintets, and some of them are very unusual too. This particular set contains three magnificent late string quintets, the ever popular Clarinet Quintet, and weirdly wonderful Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello. A glass harmonica, by the way, is a set of water-filled glasses that you set spinning and play with moistened fingertips. It was invented (or at least perfected) by Benjamin Franklin, and was wildly popular in Mozart's day, particularly among amateur female performers. An excellent collection in every respect.

Progressive rock, for the most part, has not been known for having a strong sense of humor. It was shaped, after all, by musicians who believed that if third stream jazz musicians could exalt Beethoven, Mozart, Bach, and Chopin as their idols, there was no reason why rock musicians shouldn't do the same. But Not as Good as the Book is a prog rock release that definitely has a sense of humor; in fact, humor is a vital part of this CD set. A highly conceptual effort, Not as Good as the Book is written from the perspective of aging baby boomers who lived to see the 21st century and are not happy with the ways in which the world has changed. Historically, most rock music - from punk to rockabilly to grunge - has been very youth-focused. But on this release, the Tangent offer the perspective of middle-aged boomers whose youthful idealism has been replaced by cynicism and pessimism - boomers who, back in the '60s and '70s…

Drawing inspiration from late-'60s psychedelia and mid-'90s pop underground acts like Matthew Sweet, Australia's Lovetones formed in the early 2000s with Matthew J. Tow, Matthew Sigley, Serge Luca, and Chris Cobb.

The pre-psychedelic Moody Blues were represented in England by this album, which is steeped in American soul. The covers include songs by James Brown, Willie Dixon, and Chris Kenner, plus the chart-busting "Go Now" (originally recorded by Bessie Banks), interspersed with a brace of originals by lead singer/guitarist Denny Laine and keyboardist Mike Pinder, and one Jeff Barry/Ellie Greenwich number, "I've Got a Dream." The shouters, like "I'll Go Crazy" and "Bye Bye Bird," will be the big surprises, showcasing the rawest sound by the group, but "I've Got a Dream" shows a lyrical, harmony-based sound that is vaguely reminiscent of the Four Tops (which is ironic, as that group later cut a single of the latter-day Moody Blues original "So Deep Within You"), while "Thank You Baby," a Laine/Pinder original, offers them doing a smooth, dance-oriented number with some catchy hooks…