Although it's only his debut record, American Music reveals Danny Gatton to already be an innovative and supremely gifted guitarist; here he tackles a sprawling range of music, moving easily from rockabilly to jazz to blues.
“Different Game”, is the long-awaited follow-up to their critically-acclaimed 2015 release “Still Got That Hunger”, which charted in Billboard’s Top 100 and SoundScanned over 12k units in America alone.
The most obscure album in the Hollies' entire catalog, Out on the Road marked the second half of the "Mikael Rickfors Era," that two-year period in which the Swedish-born singer provided the group's lead vocals. The album was originally released only in Germany. This is a slicker, smoother, and harder-rocking version of the Hollies than most casual fans, familiar with their hits of the early '70s ("Long Dark Road," "The Air That I Breathe") might expect. Rickfors is firing on all cylinders as a singer, his vocals every bit as expressive if not as compellingly memorable as those of the man he was (temporarily, as it turned out) replacing, Allan Clarke. But the equally dominant personality on a lot of the material here is guitarist Tony Hicks, whose instrumental prowess is all over this record (and not just on guitar, but banjo, among other stringed devices) along with a lot of solid songwriting on his part (in tandem with Kenny Lynch) and backing vocals.
For something less traditional but no less killing, try Melvin Taylor & The Slack Band’s Bang That Bell. A post-Hendrix exercise in funky-blue wah-wah wailing, this one has more allusions to Prince and the Isley Brothers than Muddy and the Wolf. In the course of a single tune (“Another Bad Day”) he can blend jazzy, Wes Montgomery-styled octaves with over-the-top wah-wah work and metalesque speed picking. But in spite of all the virtuosic six-string technique, Taylor can also get up into some nasty real-deal shuffles and earthy funk, as he proves so convincingly on “It’s Later than You Think,” which features some brilliant harmonica playing by Sugar Blue, and on a super-funky updating of the Earl King classic “Trick Bag.” And he digs into a slow blues, “A Quitter Never Wins,” with fangs bared. The closer, “Even Trolls Love Rock & Roll,” is a wild fretboard scorcher featuring guest guitar slinger Eric Gales. A tremendous guitarist and soulful singer, Taylor is a major versatile talent on the crossover blues-rock circuit that includes the likes of Robert Cray, Jonny Lang and Kenny Wayne Shepherd.