The Complete 78rpm Recordings 1923 1950’ Shura Cherkassky

While as an interpreter he is remembered most readily as an advocate of the piano music of Ludwig van Beethoven, Artur Schnabel's own favorite among the so-called "Great Masters" was Franz Schubert. Largely, Schnabel was able to record his little sips of Schubert in between great heaping gulps of Beethoven, and over a period of eighteen years managed to amass the 5 CDs worth of music that makes up Music and Arts' magnificent Artur Schnabel: The Complete Schubert Recordings. This set is "complete" in the sense that it includes every disc of Schubert that Schnabel made and approved for commercial release.

While the 1976 issue of Chicago Bound, the first collection of Jimmy Rogers' Chess material has been rightly hailed as a definitive cornerstone in absorbing the history of early Chicago blues; sadly, that vinyl album has been out of print for a number of years with virtually nothing in the catalog to take its place. Until now. This two-CD (in a single-disc package) anthology collects up everything that appeared on Chicago Bound, a number of notable cuts from a two-vinyl-disc anthology that was barely released in the late 1970s, and no less than ten unreleased alternate takes from a variety of sessions with one of them, "Luedella," emanating from his first solo session in 1950. The singing, playing, and songwriting is virtually a textbook for the early Chicago style, as the players involved include Muddy Waters, Little Walter, Otis Spann, Willie Dixon, and Big Walter Horton…

The magnificent series of recordings Dinu Lipatti made for Columbia in 1947-8 needs no introduction. They contain some of the most highly regarded performances ever committed to album and have remained in the catalogue almost continuously since their first issue on 78s. What makes the current set unique is the inclusion of five test albums made with the cellist Antonio Janigro, only two of which have appeared previously, and new masterings which reveal more of the original recordings than before. For the 1947 London recordings (originally released in 1999) APR had access to vinyl pressings from the original 78rpm masters and these have been further enhanced. For the newly transferred 1948 sessions, the original 78s were used rather that the subsequent LP issue (itself derived from the 78rpm masters) which appears to have been used in all other transfers. These turned out to have a much brighter sound and more ambience than the rather dull and filtered LP. We strongly believe the Schumann Concerto has never sounded so good!

A Fritz Kreisler recording can always be recognized by the violinist's beefy, baritonal sonority, inimitable portamento, and communicative warmth. Most of the repertoire here consists of the short, encore pieces that prevailed in the era of 78rpm records, many penned or arranged by Kreisler, who was always on the lookout for memorable tunes.

Stan Getz - The Complete Roost Recordings (1950-1954) {3CD Set Blue Note, Ron McMaster Remaster rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 517 Mb | MP3 @320 -> 442 Mb
Full Artwork @ 600 dpi (jpg) -> 194 Mb | 5% repair rar
© 1950-54, 1997 Blue Note / Roost / Capitol | CDP 7243 8 59622 2 6
Jazz / Cool / West Coast Jazz / Saxophone

The Complete Roost Recordings is a three-disc, 59-track box set that contains all of the recordings Stan Getz made for the Roost record label in the '50s. The set includes all of his officially released sessions – including the date led by guitarist Johnny Smith, the live performances with Count Basie, and a full disc of live performances with his quintet – as well as many unreleased and alternate takes. Roost was the first label Getz recorded for as a leader, and what's surprising about these sessions is how mature he sounds here. He had already arrived at his full, rich tone and was able to improvise with skill and grace. That's what makes this box set so rewarding – it's not only historically important, but it offers a wealth of excellent music.

Schuricht subsumed his ego in favour of creating a coherent, clear-flowing narrative. The Decca Recordings affords us a fresh opportunity to rediscover this eloquent interpreter of the Austro-German greats in this 10-CD original jackets set featuring all his Decca recordings and the first international release on CD of his 6 albums from the 78rpm era.

A founding father of electric blues in general and Texas blues in particular, guitarist T-Bone Walker influenced countless blues players and, by extension, countless rock & rollers as well. The Complete Imperial Recordings date from the early to mid-1950s, when the idea of electric blues was really taking hold, and the two-disc set is a wealth of classic songs exquisitely performed. While definitely blues, there's more difference between this and the acoustic blues that predated Walker than amplification can account for; there's jazz and swing mixed in as well, as on tracks like "I Walked Away" and "Strollin' with Bone," and something of that feel has remained in electric blues ever since. From B.B. King to Buddy Guy to Stevie Ray Vaughan and beyond, Walker's influence is felt in the blues up through the present day.