Recorded live at the Roxy, Scratch was one of the Crusaders' best recordings, an extravaganza of jazz and funk with great soloing from the group on top of a set of excellent grooves. From the loose-limbed funk of "Scratch" to a restless, understated version of their live standard "Eleanor Rigby" (which they'd been performing live for over six years), the Crusaders displayed a command of R&B forms in a jazz context. Another cover, Carole King's "So Far Away," is betrayed by a muddy '70s arrangement and sound, but nothing else here fails to illustrate the excellence of the best R&B group in the jazz world.
The music on this four-CD box set is mostly excellent, and this is not a bad sampler of the recordings of the (Jazz) Crusaders, but there are some problems. The 1961-70 group is covered much too quickly in the first disc, and the last two discs jump around chronologically throughout the '70s. The lack of recording dates is rather inexcusable, and the odd programming makes it difficult to trace the popular band's evolution. On the other hand, the extensive liner notes by Quincy Troupe are refreshingly honest, and many of the high points of the group's existence (including "The Young Rabbits," "Freedom Sound," "Eleanor Rigby," "Put It Where You Want It," their classic rendition of "So Far Away," and "Street Life") are included. Worth picking up by beginners, although veteran collectors will prefer to get the more complete original sets instead.
This CD contains selections from a triumphant Japanese tour which saw three-fourths of the original lineup augmented by such guest stars as guitarists Barry Finnerty and Roland Bautista, percussionist Rafael Cruz, and bassist Alphonso Johnson. But the interaction and contributions of Joe Sample, Wilton Felder, and Stix Hooper make this memorable, plus the fact that this is the first time the complete concert has ever been available on a domestic release. It's really a "greatest-hits live" CD, with such familiar numbers as "Spiral," "Rainbow Seeker," "So Far Away" and "Put It Where You Want It" part of the menu. While not in the class of such classic releases as 1, Scratch, or Second Crusade, this is still a welcome addition to the legacy of a sorely underrated group.
When Wayne Henderson left the Crusaders in 1975, he moved on to a successful solo recording career, and became an in-demand producer as well. In the 1990s, he snagged the "Jazz Crusaders" name (the Crusaders' original moniker) for a reunion project with drummer Stix Hooper and saxophonist Wilton Felder. Since that time, Henderson's been out there on tour, under the Jazz Crusaders moniker, with whatever band he happens to have under his control at the time. To make matters worse, the Crusaders name has been resurrected a couple of times by Joe Sample with Felder and Hooper.
Groove Crusade is a smoking little sampling of the Crusaders recordings from 1970-1979. It is a compilation of tunes assembled from the beginning of the period where they dropped the word "Jazz" from the front of their name as a reaction to the harsh words the band received from jazz critics throughout the 1960s.
German guitarist Axel Rudi Pell will release his 17th album, "Knights Call", on March 23 via SPV/Steamhammer.