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Tony (real name Antonio Čulina) does not like riffs, there are practically no riffs, he does not use distortion or any special pedals, he moves through a multitude of improvisations, opening the accompanying line-up full space for basic movement from the quintet to the sexte of a single chord and back to the frequent repetitions of ‘blue Notes’, and in order for the real blues not to be without that basic, there is more than half of the material in casual, moderate and sluggish tempos

Rob Burger’s keyboard work can be heard in everything from Guggenheim showcases to the blockbuster film Ocean’s 8 – in addition to albums by John Zorn, Laurie Anderson, and Iron & Wine – but the moonlit compositions he spins up on his own may be his most compelling work.

Erlend Skomsvoll, Ida Løvli Hidle, Håkon Kornstad and Ensemble Allegria explore the intersection between classical music and jazz. What goes on inside the brain of a composer while he composes? And what happens to us when we face our own prejudices?