The Dear Wife (more Than a Wife #3) by Jennifer Peel

"Seeds" is the fifth studio album by the American indie rock band TV on the Radio. The record, put out by Harvest Records, is their first since the passing of their bassist Gerard Smith in 2011. Seeds features singles "Happy Idiot", "Careful You" and "Could You".

I Don't Want to Go Home was the first album by New Jersey rock/R&B band Southside Johnny and the Asbury Jukes. The work helped establish the basis of the Jersey Shore sound. It was produced and arranged by manager Steven Van Zandt, who also sang, played guitar, wrote the title song, and elicited the contribution of two compositions by Bruce Springsteen, who also wrote the liner notes.

This seminal, highly acclaimed 1959 gospel album from mandolin player Ira and guitarist Charlie Louvin remains the most significant release from the influential brothers, best known as a country act and mentioned by Elvis Presley as "his favourite duet". "Satan Is Real" is so closely associated with the brothers that its title was borrowed for a 2012 autobiography, co-written by Charlie Louvin not long before his death.

Without A Trace is the 2013 album by German hard rock band The New Roses. This was released on the Last Bullet label.

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Learn to read piano sheet music

UK collection that is comprised of musical selections from Kubrick's central masterpieces, complimented by pieces which the director used as 'temp tracks' during the production and by all accounts with every intention of using these in the film, only to decide to replace them late on. In 2001, the scherzo from Felix Mendelssohn's 'Midsummer Night's Dream' (used for scenes of weightlessness) and Vaughan Williams 'Antarctica Suite' (for the Stargate effects and scenes on the moon) were both used in preview showings of the film before being discarded. While on Eyes Wide Shut, Wagner's 'Lieder I'm Triebhaus' ('In the Greenhouse') from Wesendonck Lieder was a significant theme in the production for more than a year before being replaced. We have also assembled the complete vintage ballroom music from The Shining. The final movement from Berlioz's 'Symphonie Fantastique', with it's epic use of the chant from the Roman Catholic Requiem mass, the 'Dies Irae', and a Sibelius piece, 'Valse Triste'. Both were important to the evolution of the film. Finally, as a young man, Stanley Kubrick fell in love with Sergi Prokofiev's score for the Sergei Eisenstein's first sound film, Alexander Nevsky. He played it to death, and it would inspire him later in his own use of dramatic music. From the scintillating recording by Fritz Reiner with the Chicago SO, we include the movement, 'Battle On the Ice'.