The Devil's Light

Even for a tour marked by eclectic setlists, Vancouver 2005 stands out for the breadth and intrigue of its 26-song set. Springsteen opens this riveting solo evening with "Living Proof" performed on pump organ. From there, he continues to challenge himself dropping rarity after rarity including the Devils & Dust tour's only inclusion of "Because The Night" on electric piano; a falsetto-led, atmospheric reading of "State Trooper"; piano takes of "The Promise" and "Real World"; welcome airings for "Ain't Got You," "Cynthia" and "Janey, Don't You Lose Heart"; plus his last performance to date of "Paradise."

There are few periods in the post-Reunion era as busy as 2005-2009, a five-year stretch that saw the release of four studio albums each with accompanying tours, surely none more fun for Bruce Springsteen himself than 2006’s sojourn in support of The Seeger Sessions.

The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Deep River of Song: African-American field recordings made for the Library of Congress from 1933 to 1946, a transformative period when black singers of the South and the Caribbean created a new musical language and thousands of brilliant songs that would captivate people throughout the world.

The cover art of Against The Grain’s new album ‘Cheated Death’ features a train with a dog’s skull screaming toward you with vicious intent. This imagery beautifully captures the savagery of the music on this new record. Known for speed rock infused with no fucks given attitude of punk, Against The Grain have seized the intensity and ferocity of their live performances on this twelve tracks of neck cracking rock. The album opens with the balls out blitz of the title track “Cheated Death”. The song jumps into your phase with the pummeling drums of Rob Nowak and the punchy bass of Chris Nowak. The guitars of Nick Bellomo and Kyle Davis are raw and dripping with venomous overdive.

2011 sophomore album from the British band led by singer/songwriter Florence Welch. Ceremonials is a stunningly accomplished record by an artist teetering on the wind-blown top of her game, an extraordinary testament to what Florence refers to as "my incorrigible maximalism". The pounding epiphanic positivism of `Spectrum'; the galloping massed-ranks majesty of `All This And Heaven Too' and `Shake It Out'; the triumphant emotional battle cries of `No Light No Light' and `Heartlines'. Spend a little time with Ceremonials and what strikes you first and foremost is the apparent confidence of its execution.

Robert is an award winning singer songwriter from Liverpool and 'I'll Make The Most Of My Sins' is the follow up to his acclaimed debut, 'Life in Easy Steps'. It was produced by Robert Vincent, Michael Gay, Etienne Girard, recorded and engineered by Tom Roach at Elevator Studio's between August 2015 and March 2016, except one track 'Time Won't Wait' recorded in Nashville's Room & Board studio, where the whole album was mixed with the legendary Ray Kennedy (Steve Earle, Emmylou Harris, Ray Davies, to name a few).