The Enticement of an Earl

New England blues guitarist Ronnie Earl has spent his recording career, which began in 1979 when he replaced Duke Robillard in Roomful of Blues, flirting with his own hybrid brand of blues/jazz/R&B, and his elegant solos on guitar always seem on the edge of breaking out into a whole new category, although they never quite do, and he remains an excellent guitar player who suggests possibilities more than he actually reaches them. This isn't necessarily a bad thing, as this collection of tracks drawn from his solo work at the Black Top, Bullseye, Telarc, and Stony Plain labels clearly shows. Spanning 1983 to 2005, The Best of Ronnie Earl brims with joyful guitar leads that remind us that the blues is really more about freedom, deliverance, and breaking loose from problems of constraint than it is about moaning and groaning and waking up in the morning with trouble in mind…

Exciting accounts of eight anthems spanning nearly two hundred years, with a welcome emphasis firmly on recent works.