In 1998, Collectors' Choice released Voices in Love/Love Lost, which contained two complete albums - Voices in Love (1958, originally released on Capitol) and Love Lost (1959, originally released on Capitol) - by the Four Freshmen on one compact disc.
The Four Freshmen were one of the top vocal groups of the 1950s, and formed the bridge between '40s ensembles like the Mel-Tones and harmony-based rock & roll bands such as the Beach Boys as well as groups like Spanky & Our Gang and the Manhattan Transfer…
Johnny Letman (1917-1992) was a trumpeter and singer in the traditional- mainstream vein, who had been on the scene for quite a long time, playing with such bandleaders as Lucky Millinder and Cab Calloway, before rising to prominence in the late 50s. But his lack of recognition (on records, at least) had not been—like the fate of some other mainstreamers—a matter of simply being forgotten. Letman never was known to any extent until 1958, when he started working out of the Metropole in New York City.
Day by Day consists of 15 tracks recorded in 1962 for broadcast on a public-service program sponsored by the Navy. Though these cuts aren't as polished as the album versions, most of the Four Freshmen's best-known songs are here: "Their Hearts Were Full of Spring," the title track, "Route 66," and "Lulu's Back in Town." The arrangements are loose, and the solos are a bit more sprightly than their original versions. "Once in Love with Amy," recorded with Russ Barbour doing his best Donald Duck impersonation, will strike listeners as either hilarious or abrasive.
In 1999, Collectors' Choice released Voices in Latin/The Freshman Year, which contained two complete albums – Voices in Latin (1958, originally released on Capitol) and The Freshman Year (1961, originally released on Capitol) – by the Four Freshmen on one compact disc.
An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie's band, including the incomparable tenor saxophonist Cedric 'I'm' Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I.
The harmonic version of this piece was completed in 1963 and the current melodic version, played here by The Theatre of Eternal Music Brass Ensemble led by composer-performer Ben Neill, was created in 1984. Like Harry Partch, Ben Johnston and others, Young is known for basing his compositions on alternative tunings, especially "The Well-Tuned Piano" (1964-81), and "The Tortoise, His Dreams and Journeys" (1964-present). In this recorded realization, 8 trumpets with Harmon mutes provide an amazing recreation of the title's sonic experience as they play long sustained tones that beat against each other on four pitches in frequency ratios (of the complete quadrad 18/17/16/12) which "can be isolated in the harmonic structures of the sounds of power plants and telephone poles".