The Four Spirtual Laws

The Four Seasons, featuring the remarkable and unmistakeable voice of Frankie Valli, were one of the most popular and successful groups of the 1960s on both sides of the Atlantic, and one of the few American groups to withstand the onslaught of the British Invasion to carry their chart career through into the 1970s. When they had their first big hit as The Four Seasons in 1961 with “Sherry”, they were by no means new to the pop scene and both Frankie Valli and the group had paid their dues for the best part of a decade, honing their skills in a variety of guises on an equally bewildering array of record labels. This great-value 58-track 2-CD set features most of Frankie Valli’s early recordings, both solo and with various groups before they became The Four Seasons in 1960, and then presents their early successes under that name. It comprises selected A & B sides as Frankie Valley, Frankie Valley & The Travellers, The Four Lovers, Frankie Valli & The Romans, The Village Voices, Billy Dixon & The Topics, Johnny Halo, Hal Miller and The Rays, and The Four Seasons for the Corona, Mercury RCA, Epic, Okeh, Cindy, Decca, Topix, Gone and Vee-Jay labels. It also features the tracks from The Four Lovers album “Joyride” and the Four Seasons album “Sherry &11 Others”. Quite apart from setting the scene for the rest of their career as the Four Seasons, this collection of doowop and rock ‘n’ roll from the era when Frankie and his colleagues were exploring the potential of their talent, is hugely entertaining and offers a real insight into what lay behind The Four Seasons’ success.

U.S. vocal male soul quartet formed in 1953, in Detroit as The Four Aims. They made their recording debut in 1955 backing Carolyn Hayes on her Baby Say You Love Me / Really single. The four founding members remained together for over four decades, until 1997 without a single change in personnel.In the 60's they were the main male vocal group for the signwriting and production team of Holland-Dozier-Holland. After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to several producers, primarily Frank Wilson. When Motown left Detroit in 1972 to move to Los Angeles, California, the Tops stayed in Detroit and moved over to ABC Records, where they continued to have charting singles into the late-1970s. Since the 1980s, the Four Tops have recorded for, at various times, Motown, Casablanca Records and Arista.Inducted into Rock And Roll Hall of Fame in 1990 (Performer).

This is a compilation of Franki Valli & The 4 Seasons' hits, including "Big Girls Don't Cry", "Sherry", and "December, 1963 (Oh What A Night)". Although they were one of the very biggest rock & roll groups of the 1960s, the Four Seasons – unlike, say, the Beatles, Rolling Stones, or the Byrds – don't excite virtually automatic respect from listeners and critics. A big factor is their most distinguishing trademark, the high falsetto vocals of their lead singer, Frankie Valli. Many also found their material – romantic tunes with tightly arranged group harmonies that updated doo wop ethos into the '60s – a little too clean-cut. Whatever your feelings about the group, though, there's no denying their considerable importance.

With 47 Pop hits and 52 R&B hits to their credit spanning nearly 25 years of recordings, The Four Tops are one of the greatest vocal groups in the history of pop music, hands down. But a big chunk of their hits, the ones they recorded for the ABC/Dunhill label, have been almost entirely unavailable in the CD era. This 2-CD collection from Real Gone Music answers the prayers of soul fans worldwide by presenting, for the first time ever on CD, all 33 rare single sides that the Tops recorded for the ABC/Dunhill label from 1972 through 1978. Just how rare are these tracks? We'll get into that in a sec; but first, a little history. Though The Four Tops (Renaldo "Obie" Benson, Abdul "Duke" Fakir, Lawrence Payton, and lead singer Levi Stubbs) had dominated the charts with their classic recordings for Motown in the '60s, when the label decided in 1972 to move to Los Angeles, the group, like many of their celebrated label-mates, felt it was time for a change.

Solid and steady hitmakers for Motown in the late 1960s, the Four Tops, led by the deep, soulful voice of Levi Stubbs and blessed with A-line songs from the Holland-Dozier-Holland writing team, were one of the finest singing groups the label ever produced. Singles like "Reach Out I'll Be There," "Standing in the Shadows of Love," "Bernadette," "I Can't Help Myself," and the wise-beyond-its-era "It's the Same Old Song" were radio staples in their time, and actually still continue to be staples on 21st century oldies stations. That's staying power, and it's no accident. The songs, at least the singles, were good and the Tops' sound was a hair rougher and edgier than a lot of Motown's issues at the time.