The Gap of Time

Hawkwind - Warrior On The Edge Of Time (1975) {2013 Japan Mini LP K2HD Mastering IECP-10266}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 495 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 600 dpi (jpg) -> 206 Mb | 5% repair rar
© 1975, 2013 Victor Japan / Atomhenge / Cherry Red | IECP-10266 | K2HD Mastering
Rock / Prog Rock / Space Rock / Art Rock

This Japanese edition features the UK original cover design with eight-panel sleeve, including an inner bag. Also features regular edition cardboard sleeve. CD features remastering using the 1975 original UK stereo master. Hawkwind's fifth studio album found the band enjoying a rare oasis of stability after the multitudinous personnel shifts of the past five years. Only the recruitment of a second drummer, Alan Powell, disturbed the equanimity of the lineup that created the previous year's Hall of the Mountain Grill, although it would soon be time to change again.

Hawkwind's fifth studio album found the band enjoying a rare oasis of stability after the multitudinous personnel shifts of the past five years. Only the recruitment of a second drummer, Alan Powell, disturbed the equanimity of the lineup that created the previous year's Hall of the Mountain Grill, although it would soon be time to change again. By the end of the year, bassist Lemmy had departed, vocalist Robert Calvert had rejoined, and the group's career-long relationship with United Artists would be over. In the meantime, Warrior on the Edge of Time ensured that it was brainstorming business as usual. Decorated with a magnificent sleeve that unfolded into the shape of a shield, Warrior on the Edge of Time delivered some of Hawkwind's best-loved future showstoppers - Simon House's far-reaching "Spiral Galaxy 28948"…

The Caretaker is a long-running project by electronic musician James Leyland Kirby, who also records as V/Vm. His work under the Caretaker moniker has been characterised as exploring memory, nostalgia, and melancholia. Initially the project was inspired by the haunted ballroom scene in the 1980 film The Shining, with his first several releases consisting of treated and manipulated samples of '30s ballroom pop recordings.

The Sons of Champlin released three albums on Capitol Records between 1969 and 1971 (Loosen Up Naturally, The Sons, and Follow Your Heart), none of which was a commercial hit for various reasons, but not for lack of musical quality. This 78-minute CD makes a reasonable selection of the highlights from those LPs, demonstrating that at their best, the Sons were a collection of talented musicians who packed their songs full of good solos that grew out of complicated arrangements. Although they were a part of the psychedelic San Francisco scene of the time, their music never quite fit the mold, leaning much more toward jazz and R&B than, say, the Grateful Dead. the Sons played instruments including saxophones and a vibraphone, not otherwise typical of the San Francisco Sound, and they were less interested in songs than in creating platforms for soloing. They might start a tune like "Love of a Woman" as a gentle, romantic ballad with an acoustic guitar, but midway through that would suddenly give way to a jazzy instrumental section in a different time signature, return to the ballad, then again go off into jazz.

The act of switching to Columbia did not have a substantial impact upon Jean-Luc Ponty — not yet, at least — for his debut with the label found him mining the repeating, sequencer-driven lode that he was exploring while on Atlantic. But there are two areas where there is a difference: the material is superior to that of Fables, more memorable and immediately winning in melodic and arpeggiated content, and the sound quality is considerably improved over that of much of his Atlantic output. The rhythm section of Fables returns, with Pat Thomi replacing Scott Henderson on guitar, and as before, they take a definite back seat to their leader's violins, synthesizers and electronic devices.