The Gene Harris Quartet 1995 Brotherhood

Although often associated with the blues, only one of the ten selections on this quartet set by pianist Gene Harris (who is joined by guitarist Ron Eschete, bassist Ray Brown, and drummer Jeff Hamilton) is technically a blues. On this excellent all-around showcase for the soulful pianist, Harris sounds in prime form exploring such tunes as "This Masquerade," "Don't Be That Way," Eddie Harris' "Listen Here," and "The Song Is Ended." Listen Here! gives listeners a pretty definitive look at Gene Harris' accessible and swinging style.

Pianist Gene Harris' 1992 quartet (with guitarist Ron Eschete, bassist Luther Hughes, and drummer Harold Jones) explores ten wide-ranging selections on this CD. But despite the very different chord changes, they are able to infuse the music with so much soul that the results are consistently bluesy. Among the tunes that Harris and his group explore are Horace Silver's "Strollin'", "Until the Real Thing Comes Along," "Jeannine", "You Make Me Feel So Young", and "Wrap Your Troubles in Dreams". An excellent effort.

Lured out of retirement by bassist Ray Brown after taking extensive time off from the road, pianist Gene Harris recorded extensively from the mid-'80s until shortly before his untimely death in early 2000. This is the second Resonance CD to come from a 1996 engagement at London's Pizza Express, features the pianist with a group of European musicians (Scottish guitarist Jim Mullen plus two Englishmen, bassist Andrew Clyendert and drummer Martin Drew, the latter of whom worked extensively with Oscar Peterson). While they had not played together prior to this engagement, they are very much on the same wavelength. "Sweet Georgia Brown" opens softly, with Mullen showing a funky touch, but as the piece develops Harris takes hold with his driving soulful technique…

This superb album solidified pianist Gene Harris' return to the jazz major leagues. Teamed up with bassist Ray Brown, drummer Mickey Roker, and tenor saxophonist Stanley Turrentine, Harris stretches out on such songs as Ray Brown's blues "Gene's Lament," "Things Ain't What They Used to Be," "Yours Is My Heart Alone," and "Battle Hymn of the Republic." Harris and Turrentine work together so well on this soulful blues/bop date that one wishes they had teamed up much more often.

In 2001, Concord Jazz described Live at Otter Crest as a "never-before-released live recording." But, in fact, this CD is actually a reissue of an obscure, little-known LP that originally came out on the Bosco label. When Live at Otter Crest was recorded at an Oregon gig on April 24, 1981, Gene Harris was in semi-retirement - he was still performing, but not very often. And it wasn't until 1985 that the pianist's very productive association with Concord would begin. Because Harris had recorded some overproduced commercial projects in the late '70s, bop's hardcore was calling him a sellout. But on Live at Otter Crest, a 47-year-old Harris is hell-bent for straight-ahead, hard-swinging jazz - funky and earthy, yes, but definitely straight-ahead…