The Sons Of Adam—a lean, mean rock’n’roll machine from the Hollywood rock scene of the mid-1960s—quite literally blew the competition off the stage. Led by influential lead guitarist Randy Holden (Other Half / Blue Cheer), the Sons boasted an affable frontman in Jac Ttanna (Genesis) and an incomparable rhythm section in Mike Port and Michael Stuart-Ware (Love). Schooled in surf, emboldened by the British Invasion, the band had a fearsome reputation as a live act. In this unprecedented anthology, Saturday’s Sons features a previously unreleased 1966 full concert performance from San Francisco’s famed Avalon Ballroom, a recording so powerfully dynamic that few listeners will doubt the band’s masterful live presence. The quartet enjoyed a brief but incandescent three-year career which is fully documented on this compilation with rare 45s, studio outtakes and demo recordings, including fiery surf material from their early incarnation The Fender IV, and the legendary single “Feathered Fish”, donated to the band by Love’s Arthur Lee.
Jonathan Kent's spectacular production of Purcell's huge semi-opera is joyous, imaginative and witty Glyndebourne, with its intimate auditorium, provides the perfect setting for a drama which is partly spoken and partly sung. Based on an adaptation of Shakespeare's A Midsummer Night's Dream, the story is lavished with a brilliance that justifies this production's acclaim. Paul Brown's inventive designs, Kim Brandstrup's exquisite choreography, an excellent cast of actors and singers and outstanding playing by the Orchestra of the Age of Enlightenment under William Christie combine to make a seamless theatrical experience, here recorded in High Definition and true surround sound.
The Book of Knots' self-titled metal opus is a concept album about the sea. But don't expect any prog rock opera cheese. Book of Knots is a noisy, bludgeoning rock record, full of feedback, improvisation and bitter currents – like Mike Watt's Contemplating the Engine Room played by Queens of the Stone Age. The tumultuous record ranges from the oddly Björk-ish "Tugboat" to the psych, hesher rock of "Crumble" and Jon Langford's downright catchy piece of slithering melancholia "Back on Dry Land"." It's a demented and expansive narrative that takes at least multiple listens to make sense of, but the cinematic scope is apparent from the beginning. While Book of Knots is a bit too difficult for everyone, those who enjoy digging deeper into the layers of an epic rock album will be more than satisfied.
This NY-based studio collective consists of Matthias Bossi (Skeleton Key, Sleepytime Gorilla Museum), Joel Hamilton (Sparklehorse, Elvis Costello), Tony Maimone (Pere Ubu, Frank Black, They Might Be Giants), and Carla Kihlstedt (Tom Waits, Sleepytime Gorilla Museum). With guests Carla Bozulich, Megan Reilly, Jon Langford, David Thomas, Mike Watt, and Tom Waits, their debut bills itself as "a tribute to the American Rust Belt". They paint a haunting modern-day portrait of cities like Cleveland, Youngstown, Toledo, and Detroit; places that once were the definition of American motivation, progress, and industry, but now are home to ruined monuments of a bygone era. The sonic landscape is painted with scraping, swirling guitars, soaring string arrangements, rupturing bass, and plate-shattering drums.
The Book Of Knots has had the pleasure of collaborating with some of the worlds most talented musicians, including Tom Waits, Mike Patton, David Thomas, Blixa Bargeld, Jon Langford, and Carla Bozulich. Founding members Matthias Bossi (Skeleton Key, Sleepytime Gorilla Museum), Joel Hamilton (producer/engineer for BlakRoc, Pretty Lights), Carla Kihlstedt (Tin Hat Trio, Sleepytime Gorilla Museum) and Tony Maimone (Pere Ubu, Frank Black, Bob Mould) forge a sound both epic and intimate, empowering and devastating. Cinematic, symphonic landscapes give way to crumbling acoustic chamber ballads. Broken guitars and beautifully warped orchestras describe the ungraceful demise of boats, blast furnaces and bloated industries. Accounts of the failed adventures of tragic would-be heroes are given voice in the band's two previous critically-acclaimed releases. Their newest album serves as the final chapter in the bands "By Sea, By Land, By Air" trilogy.
For this 2010 production, the first new staging of the opera in 10 years, Glyndebourne welcome back the winning team of director Jonathan Kent and designer Paul Brown with Festival Music Director, Vladimir Jurowski conducting the Orchestra of the Age of Enlightenment. Set at a time of seismic social and cultural change - in a Fellini-esque vision of post-war life - Jonathan Kent's urgently propulsive production offers a 'white-knuckle rollercoaster ride' through the events of the Don's last day as they unfold in and around Paul Brown's magical 'box of tricks' set.
The Chronicles of Father Robin is a Norwegian progressive rock band consisting of members from the bands Wobbler, Tusmørke, Jordsjø, and The Samuel Jackson Five. The music is inspired by the 70's Prog scene and was conceived over a period of 30 years. In 1995, in a Norwegian high school, they worked on the whole concept of the Father Robin trilogy. After some line-up changes and the addition of musicians, the band started to rearrange some old songs and work on new material which resulted in 18 songs of Symphonic Prog released as a boxset first and separately in September 2023.
Following Father Robin and his travels through the archaic world of Airoea, Book 2 takes our protagonist to the underwater city of Oriasaleah and over the Sea of Ayrouhr…
“My enthusiasm for Brahms goes back to my youth, and the piano concertos are largely responsible for it,” writes Sir András Schiff in a liner note for this remarkable new recording. It finds the great pianist reassessing interpretive approaches to Brahms in the inspired company of the Orchestra of the Age of Enlightenment. To fully bring out the characteristics of Brahms’s music Schiff’s choice of instrument is a Blüthner piano built in Leipzig around 1859, the year in which the D minor concerto was premiered.