The Girls in Blue

A reworking of the movie Three Blind Mice (1938) based on the play of the same name, which in turn led to another remake Moon Over Miami (1941). This remake is set during the turn of the century. Three sisters from Red Bank set out for Atlantic City disguised as an heiress, her secretary,and a maid, in the hope that one of them will land a rich husband.

Girls in Hawaii is a Belgian indie pop band. "Nocturne" is the band's fourth studio album. Their pop songs are surprisingly sophisticated. Both in the production and instrumentation, everything is carefully calculated, nothing is left to chance…

"A Bit of Liverpool" is the 3rd studio album by The Supremes, released in the fall of 1964 on the Motown label. It was produced by Berry Gordy with Hal Davis and Marc Gordon doing the mixing. The Supremes performed The Beatles' "Eight Days a Week" on several television shows including Shindig and Hullabaloo, though the song did not make the album. The album just missed the Top 20 in the U.S., peaking at #21. While not quite as prolific as their pop counterparts at that time, The Beatles, The Supremes enjoyed three albums charting simultaneously in 1964–1965. For its release in the UK, the album was titled "With Love (From Us to You)".

It was the logical extension of two of the most important and enduring pop music tributaries of the 1960s – the girl group sound and the garage band explosion, respectively – but the distaff garage rock scene has earned precious little documentation on record or in history books over the years. Romulan's long-running Girls in the Garage series has done much to rectify that oversight, however, compiling an astounding amount of prime crunch – the first CD volume in the series is also its strongest, adding 11 tracks to the 16 that made up the original vinyl. Like all garage collections, there are equal amounts killer and filler, and the joy of discovery is alone worth the price of admission – Denise & Co.'s "Boy, What Will You Do Then," the Belles' "Come Back," and Lydia Marcelle's "The Girl He Needs" are top-shelf by any standard, however, and the Continental Co-Ets' blistering instrumental "Melody of Junk" dismisses once and for all any lingering misconceptions that the girls couldn't rock as hard as the boys.

At the dawn of 1964, the British Invasion was literally weeks away. The Beatles would land in the U.S. for the first time on Feb. 7 of that year, and The Rolling Stones would follow them across the pond a little less than six months later. But before the two bands met their American fans en masse, they met three particular ones: The Ronettes, whose "Be My Baby" had just hit the number-two spot on Billboard's Hot 100.

The sixth full-length release for Meg Remy as U.S. Girls was recorded with a live band and was co-produced with Steve Chahley. The album features dark meditations reflecting charged atmospheres that directly precede and follow acts of violence. Many of the songs are character studies of women grappling with power; how to gain and exert it spiritually, as well as desperate strategies to mitigate its infliction. Remy also rallies against the public lies told by political and religious leaders, and more crucially, questions the lies we tell ourselves in order to survive. While U.S. Girls, denoting the plural, is no longer a misnomer, "In A Poem Unlimited" may be Remy’s most individually distilled protest to date.