The Good, The Bad, And The Cowbots Russ Bolts

Four classic Leone movies given the deluxe treatment and FINALLY released in the U.S. on DVD

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery…..

New compilation by genious composer Ennio Morricone released 24-11-2017 by Bacci Bros Records.

New compilation by genious composer Ennio Morricone released 24-11-2017 by Bacci Bros Records.

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Dwarves, steam locomotives, and a showdown at high noon – what could possibly go wrong? Dungeons 4 – The Good, the Bad and the Evil awaits the Absolute Evil and his more or less dedicated General Thalya with (train)wagon loads of evil work to do.

It's not too often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks— and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. Issue #4 continues the art (Polls' gritty style), and the slow, deliberate development as with the previous three issues that makes you feel as if the story was lifted right from the movies and it definitely reads with a cinematic style (note the wide panel layouts) and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Still great stuff.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What's wrong with the modern movie business - and how can we make it right?'…