The Kind Of Boy You Can't Forget The Raindrops

The Big Latin Band of Henry Mancini (1968). A great little album of Latiny tunes from Henry Mancini - played by a very hip lineup of west coast jazzmen! The rhythms have a great mix of Latin influences and Mancini magic - the kind of grooves you'd hear on his 60s soundtracks at the time, played by a lineup that includes Bud Shank and Tom Scott on reeds, Buddy Childers and Pete Candoli on trumpets, Ray Brown on acoustic bass, Max Bennett on fender bass, Larry Bunker on percussion, and Shelly Manne on drums. The vibe is nice and relaxed - a bit more upbeat than bossa, but not as all-out as other RCA Latin sessions - thanks to Mancini's nice sense of warmth and space in the arrangements…

David Sylvian - Blemish (2003) {Japan Edition}
EAC rip (secure mode) | FLAC+CUE+LOG -> 229 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 400 dpi (jpg) -> 47 Mb
© 2003 SamadhiSound / P-Vine | PVCP-8775
Experimental / Art Rock / Jazz

Multi-instrumentalist/wordsmith/auteur Sylvian is joined here by avant garde jazz guitar hero Derek Bailey for one of the most adventurous outings of his already adventerous career. Cut in 2003, his 12th album isn't the kind of thing you "get" on the first listen, but stick with it and the rewards are myriad.
An impromptu suite of songs for guitar, electronics and voice. An emotionally raw, minimal work, of immediacy and stark beauty with outstanding contributions from Derek Bailey and Christian Fennesz.
First album released on David's Samadhi Sound label

The Bling Ring (OST) 2013
MP3 320 kbps | Tracks: 17 | 00:79:46 | 140.29 Mb
Genre: Rap, Hip-Hop, R&B, Soundtrack

The official track includes exactly the kind of tracks you’d expect from a movie about greed and glamour. From “Money Machine” by 2 Chainz—who has an obvious affinity for bling—to “Super Rich Kids” by Frank Ocean, these glitzy, flashy songs are totally on the money.

Oneohtrix Point Never - Garden of Delete (2015) {Warp Records - WARPCD266}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 300 dpi (png) -> 122 Mb | 5% repair rar
© 2015 Warp Records | WARPCD266
Electronic / Ambient / Hypnotic

Oneohtrix Point Never's Daniel Lopatin is the kind of artist you expect to keep evolving, even if exactly how he evolves on each album is unpredictable. That said, he still throws listeners a few curves on Garden of Delete, an album inspired by his adolescence and his 2014 tour with Nine Inch Nails and Soundgarden. Any expectations that this is OPN's "guitar album" are quickly dashed: Lopatin's palette is far wider-ranging, incorporating aspects of his previous albums (as well as a nod to his work as Chuck Person on "ECCOJAMC1") and elements of metal, trance, R&B, and Top 40 pop that, when combined, feel unmistakably like Oneohtrix Point Never.

After performing at Italy's finest venues for two years on the Work In Progress joint tour with Lucio Dalla, for his next outing, De Gregori decided to return to his humble beginnings. The Pubs and Clubs tour was exactly that, De Gregori and his band performing in the kind of small clubs where in the early '70s the singer/songwriter begun to build his reputation as one of Italy's greatest cantautori.

Like her signature song "Ode to Billie Joe," Bobbie Gentry is an enigma by choice. "Ode to Billie Joe" deliberately leaves out details that would spell out the story and Gentry removed herself from public view sometime in the late '70s for reasons that have never been fully disclosed. Many have tried to track her down because her cult not only persisted into the 21st century, it even grew – so much so that an observer would be forgiven if they believed Gentry was something of an outsider artist instead of a mainstay on television who hosted a variety show of her own…