The Kinks To Kinkdom Kome

Sony's 2016 Legacy edition of Everybody's in Show-Biz turns the 1972 double-LP into a double-CD set by mining the March 1972 Carnegie Hall recordings that provided the album with its live second disc. Thirteen of the 17 songs on the second CD come from these live tapes, the exceptions being the unreleased completed outtake "History" – a slightly dreamy, wry look back at the past that feels like a gateway to Preservation – the backing track to "Sophisticated Lady," and alternate mixes of "Supersonic Rocket Ship" and "Unreal Reality." These are nice footnotes, but the story lies in the live tracks, which offer more of the same from the original record.

BMG follow up this years The Kinks The Journey release (from March this year), and continue the 60th anniversary celebrations, with Part 2, which will be available as a 2CD or 2LP package. Compiled by the band, this collection is curated “according to themes inspired by the trials and tribulations of their journey through life together as a band since 1963”.

How did the Kinks respond to the fresh start afforded by Lola? By delivering a skewed, distinctly British, cabaret take on Americana, all pinned down by Ray Davies' loose autobiography and intense yearning to be anywhere else but here - or, as he says on the opening track, "I'm a 20th century man, but I don't want to be here." Unlike its predecessors, Muswell Hillbillies doesn't overtly seem like a concept album - there are no stories as there are on Lola - but each song undoubtedly shares a similar theme, namely the lives of the working class. Cleverly, the music is a blend of American and British roots music, veering from rowdy blues to boozy vaudeville. There's as much good humor in the performances as there are in Davies' songs, which are among his savviest and funniest…

Universal’s 2011 Deluxe Edition of the Kinks’ second album, Kinda Kinks, finds the 12-track album supported by a 23-track collection of non-LP cuts, including both sides of the “Everybody’s Gonna Be Happy,” “Set Me Free,” “See My Friends,” and “Never Met a Girl Like You Before” singles; the Kwyet Kinks EP, which includes “A Well Respected Man”; no less than six demos, many of which are unreleased Ray Davies originals (“I Go to Sleep” saw the light of day on a previous CD reissue); alternate takes of “See My Friends” and “Come on Now”; and BBC sessions including the songs “This Strange Effect” and “Hide and Seek,” which never popped up on a Kinks LP. Like the group’s debut, Kinda Kinks is slightly uneven - Davies is showing strides as a songwriter and the band is tightening, but there are some slow patches - but adding all the bonus material to the album has the effect of strengthening the overall experience…

The Kinks' second album, Kinda Kinks, was rush-recorded on either side (and in the midst) of a world tour that took them all the way to Australia in the course of bridging the 1964-1965 New Year…

By sheer size alone, Universal’s 2011 Deluxe Edition of the Kinks' debut album trumps any previous reissue of the album, weighing in at a whopping 56 tracks spread over the course of two CDs. This includes the album in both its stereo and mono mixes, both sides of the “Long Tall Sally,” “You Still Want Me,” and “All Day and All of the Night” singles, the tracks from the Kinksize Session EP, the demo of “I Don’t Need You Anymore,” a couple of alternate takes and mixes, and a clutch of BBC sessions punctuated by interviews with Ray Davies. Although the album proper is slowed down by a little filler, the wealth of bonus material improves the overall experience: many of the single and EP tracks are better than what’s on the LP, the live sessions smoke, and the remastering kicks hard, all factors in making this the best edition ever of the Kinks' debut.