The Little Death (1996)

The blues had long been a potent undercurrent in the Birthday Party's music, so it wasn't all that surprising that Nick Cave embraced the sound and feeling of rural blues on his second album with the Bad Seeds, The Firstborn Is Dead. What was startling was how well Cave and his bandmates – Barry Adamson, Mick Harvey, and Blixa Bargeld – were able to absorb and honor the influences of artists like Skip James and Charley Patton while creating a sound that was unmistakably their own. The moody obsessions of rural blues – trains, floods, imprisonment, sin, fear, and death – seemed made to order for Cave, and he was able to tap into the doomy iconography of this music with potent emotional force; on "Tupelo," he makes a sweeping and disturbing epic of the rain-swept night when Elvis Presley was born, and "Knocking on Joe" is a tale of life on the work gang that communicates the pain of the spirit as clearly as the ache of the body.

In 1996, the complete recording of the oratorio La morte del cor penitente (The Death of the Penitent Heart), composed around 1671, by the Northern Italian Early-Music ensemble Sonatori de la Gioiosa Marca was a special event: for the first time, the Italian composer Giovanni Legrenzi (1626-1690) an important creator of sacred and chamber music – was introduced with a voluminous work. At the same time, the recording, which went on to win several awards, also marked the beginning of the career of the Sonatori around Andrea Marcon, now long famous. Legrenzi was a master of baroque musical rhetoric: expressive harmonies and melodic elegance transformed the libretto by an unknown author, which illustrates its theme with numerous metaphors, into a sensuous pleasure.

The Kinks were one of the most influential bands of the British Invasion. Early singles "You Really Got Me" and "All Day and All of the Night" were brutal, three-chord ravers that paved the way for punk and metal while inspiring peers like the Who. In the mid-'60s, frontman Ray Davies came into his own as a songwriter, developing a wry wit and an eye for social commentary that culminated in a pair of conceptual LPs, The Village Green Preservation Society and Arthur (Or the Decline and Fall of the British Empire), that proved enormously influential over the years.

Robert Shaw and Telarc have released another disk of not-too-often performed choral/orchestral works, but they are ones that are important: John Adams' Harmonium and Rachmaninoff's The Bells, two works featuring texts by important authors.

Bill Evans Trio - Turn Out The Stars: The Final Village Vanguard Recordings, June 1980 {6CD Box Set Warner 9 45925-2 rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.87 Gb | MP3 @320 -> 954 Mb
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© 1980, 1996 Warner Bros. | 9 45925-2
Jazz / Post Bop / Modal Music / Piano

Just three months before his death, pianist BIll Evans was extensively recorded at the Village Vanguard. Originally, one or two LPs were to be released featuring his brilliant new trio (with bassist Marc Johnson and drummer Joe LaBarbera), but after the innovative pianist's death, the project was stalled for over 15 years. Finally, when Warner Bros. got around to it, a definitive six-CD box set was released (although unfortunately in limited-edition form). Evans sounded quite energized during his last year, Johnson was developing quickly as both an accompanist and a soloist, and the interplay by the trio members (with subtle support from LaBarbera) sometimes bordered on the telepathic. The playing throughout these consistently inventive performances ranks up there with the Evans-Scott LaFaro-Paul Motian trio of 20 years earlier.

Nearly a decade into their career, Death show no signs of slowing down on Symbolic. Granted, some of the riffs are beginning to sound a little tired and there is no great leap forward in terms of their musical ideas, but the sheer visceral force of their sound should please their dedicated fans.

The Stanley Brothers - The Complete Columbia Stanley Brothers (1996) {Columbia CK 53798 rec 1949-1952}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 142 Mb
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© 1949-52, 1996 Columbia / Legacy / Sony Music | CK 53798
Bluegrass / Country / Traditional Bluegrass

While both Carter and Ralph Stanley are musical treasures of the first rank, I have to confess that Ralph Stanley is my favorite bluegrass performer, and one of my favorite singers of any musical genre. Both brothers possessed prodigious musical gifts (anyone doubting Ralph's genius need only listen to his stunning a capella rendition of "O Death" on the O BROTHER WHERE ARE THOU? soundtrack to bring about a revision of their opinion), so it is almost impossible to imagine a greater bluegrass singing voice than these brothers.