The Lost Camera

The Lost Album series brings together all Beatles material never officially released to this date (August, 2020):
home demos, studio demos, unreleased/unpublished songs, studio sessions outtakes, home jams, rehearsals, improvs,
alternate takes/demos, concerts, covers, auditions, unpublished alternate mixes, studio monitor mixes, acetates, informal sessions,
home tapes, live recordings, reunions, appearances on tv/movies/radio/specials video/events/songs in interviews
and everything else involving Beatles unofficial music audio. Bruno Ribeiro & The Producers © 2020 - UK - Not For Sale!

A psychological horror game in which you wake up in an unknown cellar with a VHS camera and a journal. In the narrated journal, the main character will be recording their thoughts. Your task will be to get out of the cellar.

Camera Ballistics is a unique software product that uses advanced algorithms and cutting-edge technology to determine if a photo was truly taken by a suspected camera or not. Photos contain more information than what you can see in the image. Camera Ballistics' unique scientific algorithm goes deeper than just EXIF. It will identify if a photo was taken by a suspected camera device or not, giving you maximum data from photos and making Camera Ballistics an essential tool for every forensic investigator.

Thirty years ago, thousands of portraits from a small studio in Bradford were saved from a skip. They form a unique collection of photographs that records the changing face of a British industrial city in the middle of the 20th century. Many of the people in the portraits were new arrivals from the Asian subcontinent, eastern Europe and the Caribbean, attracted by the offer of work in wool mills. The names of these people are a mystery – only their faces survive.

In the 1980s determined researchers began scouring the world for color film shot during World War II, and the result of their quest is spectacular. Seeing the war through the ubiquitous black-and-white footage has always made the experience somewhat distant, but in clear, crisp color, the enormity of the war and its horrors is startling and dramatic.

Thirty years ago, thousands of portraits from a small studio in Bradford were saved from a skip. They form a unique collection of photographs that records the changing face of a British industrial city in the middle of the 20th century. Many of the people in the portraits were new arrivals from the Asian subcontinent, eastern Europe and the Caribbean, attracted by the offer of work in wool mills. The names of these people are a mystery – only their faces survive.

As a group of old high school friends wander through San Francisco on Halloween night, two of them are forced to confront their unspoken sexual history.