The Making of The West 6e Volume One: To 1750

Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971 is a compilation album and box set recorded by the American rock band the Beach Boys and released by Capitol/UME on August 27, 2021. It is largely dedicated to material that the group recorded during the making of the albums Sunflower (1970) and Surf's Up (1971). Produced by Mark Linett and Alan Boyd, it is the band's first major archival release since Wake the World and I Can Hear Music in 2018, and the first issued on physical media since Sunshine Tomorrow in 2017. The title is taken from the Surf's Up track "Feel Flows". The compilation was released in four different formats: a five-CD box set, a two-CD set, a double vinyl set, and a quadruple vinyl set.

The origins of The Roads has us returning to Escape Music and Khalil Turk's Turkish Delight album. Turk need some guitar work for the song Get Out Of Hear, so he contacted Gary Pihl (Boston/Sammy Hagar). Pihl wanted to play with the groove but needed a drummer so, in turn, Turk offered Josh Devine (One Direction, Levara). This led to Pihl wondering who the vocalist for the song was. It turned out to be Josh's father, Mick from the band Seven. Turk, who has the gift of both recognizing talent and musical chemistry put Pihl and Mick on to a collaboration, and The Roads was born.

Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971 is a compilation album and box set recorded by the American rock band the Beach Boys and released by Capitol/UME on August 27, 2021. It is largely dedicated to material that the group recorded during the making of the albums Sunflower (1970) and Surf's Up (1971). Produced by Mark Linett and Alan Boyd, it is the band's first major archival release since Wake the World and I Can Hear Music in 2018, and the first issued on physical media since Sunshine Tomorrow in 2017. The title is taken from the Surf's Up track "Feel Flows". The compilation was released in four different formats: a five-CD box set, a two-CD set, a double vinyl set, and a quadruple vinyl set.

Gerry & the Pacemakers are fated to eternal comparisons to the Beatles, their onetime Merseybeat rivals who rapidly eclipsed the quartet in popularity and accomplishment, leaving them as something of a pop culture punchline. In the wake of the Beatles, it was hard to look back at Gerry Marsden and his irrepressibly cheerful music and think it was in the same league as the Fab Four, or any of the British Invasion groups that followed. That may be true, but Gerry & the Pacemakers shouldn't be judged against such R&B-schooled rockers as the Rolling Stones, the Animals, and the Kinks but rather against the stiff, starched rock & roll of pre-Beatles Britain. Compared to this prim, proper pop, the skiffle beats and bouncy melodies of Gerry & the Pacemakers seem fresh, almost serving as a bridge between formative English rock and the bright blast of the Beatles…