The Making of The West 6e Volume One: To 1750

"The Bad Mixes" was a limited release CD given out to promote Monster-Cable (hardware cabling that had been used extensively in the making of the "Bad" album to provide crystal-clear studio recordings). The album was never available for sale publicly. Two versions of the album were created - a 9-track version, and a numbered 13-track version (rarer).

Boris Yoffee was born in Russia in 1968. There, he studied violin and composition and before the breakup of the Soviet Union he immigrated to Israel, where he studied at Tel Aviv University. In 1997, he moved to Germany to study composition with Wolfgang Rihm. By 2009, he had amassed an enormous number of short works. Thus, the performers who had been asked to record his Song of Songs looked through approximately 800 of them in order to select the pieces they wanted to perform. The Rosamunde Quartet is a German string quartet that was formed in 1992; since the group disbanded in 2010, this is its last recording. The Hilliard Ensemble is a British male vocal quartet that is well known for its performance of Renaissance, medieval, and contemporary music. It has often performed the works of Arvo Pärt, whose music is somewhat similar to that of Yoffe.

The Les Humphries Singers was a 1970s musical group formed in Hamburg, Germany in 1969[1] by the English-born Les Humphries (born John Leslie Humphreys, 10 August 1940, in Croydon, Surrey, England - died 26 December 2007, in Basingstoke, Hampshire, England)…

Gerry & the Pacemakers are fated to eternal comparisons to the Beatles, their onetime Merseybeat rivals who rapidly eclipsed the quartet in popularity and accomplishment, leaving them as something of a pop culture punchline. In the wake of the Beatles, it was hard to look back at Gerry Marsden and his irrepressibly cheerful music and think it was in the same league as the Fab Four, or any of the British Invasion groups that followed. That may be true, but Gerry & the Pacemakers shouldn't be judged against such R&B-schooled rockers as the Rolling Stones, the Animals, and the Kinks but rather against the stiff, starched rock & roll of pre-Beatles Britain. Compared to this prim, proper pop, the skiffle beats and bouncy melodies of Gerry & the Pacemakers seem fresh, almost serving as a bridge between formative English rock and the bright blast of the Beatles…