The Money Pit 1986

The Money Pit (1986)  Movies

Posted by Without at May 9, 2017
The Money Pit (1986)

The Money Pit (1986)
BDRip 1080p | MKV | 1920x1040 | AVC@10.5 Mb/s | English DTS@1509 kb/s
Subs: English | 6 channels | 1 h 30 min | 7.64 GB
Genre: Comedy

A young couple struggles to repair a hopelessly dilapidated house.

The Money Pit  Movies

Posted by at Sept. 15, 2024
The Money Pit

The Money Pit (1986)
After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
Comedy  Romance 
John Barry, Michel Colombier & VA - The Golden Child: Music From The Motion Picture (1986) 3 CDs Limited Edition 2011

John Barry, Michel Colombier & VA - The Golden Child (1986)
Music From The Motion Picture, 3 CDs Limited Edition 2011

EAC | FLAC (Tracks) + cue.+log ~ 831 Mb | Mp3, CBR320 ~ 382 Mb | Scans ~ 237 Mb | 02:45:40
Soundtrack, Score, Symphonic, Pop/Rock, Synthpop, R&B | Label: La-La Land | # LLLCD 1180

La-La Land Records presents, in association with Paramount Pictures and Capitol Records, the premiere release of both John Barry’s unused score and Michel Colombier’s score to the 1986 Paramount Pictures action/adventure motion picture THE GOLDEN CHILD, starring Eddie Murphy, Charlotte Lewis, Charles Dance and directed by Michael Ritchie. Mr. Barry’s (FROM RUSSIA WITH LOVE, BODY HEAT, A VIEW TO A KILL, DANCES WITH WOLVES) unused orchestral score is simply put, wondrous – a powerful, majestic work brimming with action, suspense and romance that strongly recalls the recently departed composer’s 80s Bond period while still retaining its own robust identity. Composer Michel Colombier’s (RUTHLESS PEOPLE, THE MONEY PIT, AGAINST ALL ODDS) score, only a portion of which has been previously released, is finally given its proper due here as well, showcasing the composer’s knack for traditional action scoring blended with the era’s contemporary, synth-based pop sound.