The New Colony Six started out as one of the better garage bands to come out of the Midwest in the mid-'60s, playing tough British Invasion-style rock & roll (their "At the River's Edge" made it onto the Nuggets box set), and they later evolved into a surprisingly sophisticated and skillful pop group that scored nationwide hits with the singles "Love You So Much" and "Things I'd Like to Say." However, this collection of odds and ends doesn't quite play to either side of the band's personality; in fact, most of the 24 songs aren't actually by the New Colony Six, with 11 tunes by the Raymond John Michael Band (which featured three NC6 alumni, singer Ray Graffia, drummer Chick James, and keyboard man Craig Kemp) and one each by Junior and Graffia, both latter-day Ray Graffia projects…
Barb Wired Tour Vol. 2 is the second of two volumes of Empress Valley’s ambitious nine disc compilation of important tapes from Ron Wood’s New Barbarians side project in support of his solo album Gimme Some Neck. Picking up where The Drug Dealer Tapes Vol. 1 (Empress Valley EVSD 196/200) leaves off, Vol. 2 contains four discs with another hour of the tour rehearsal tape along with two complete shows…
In a way, the Searchers are a footnote. Never entering the upper echelon of British Invasion beat groups, the band nevertheless had legs, outlasting all but the titans of the Rolling Stones, the Kinks, and the Who. The Searchers always flew just below the radar, even if they had something of a renaissance at the tail end of the '70s with a new lineup headed by lead singer – and only constant – John McNally, with his lead guitarist companion Mike Pender directing the band through two superb power pop LPs and their jangle echoing in the stable of Shelter Records, heard strongly in the early records of Tom Petty & the Heartbreakers. They are best known for their earliest hits – 1963's "Sweets for My Sweet," 1964's "Needles and Pins" – which may be because they were their biggest hits but it's also because the Searchers never abandoned their pure pop template throughout their entire career, something that becomes blindingly evident over the course of the four-disc box set Hearts in Their Eyes.