The Nineteen Year Old's Map (1979)

Eve is the fourth studio album by progressive rock band The Alan Parsons Project. It was released in 1979. Eve's focus is on the strengths and characteristics of women, and the problems they face in the world of men. The album had originally been intended to focus on "great women in history", but evolved into a wider concept. Eve is The Alan Parsons Project's first album with singer Chris Rainbow. The album's opening instrumental "Lucifer" was a major hit in Europe, and "Damned If I Do" reached the US Top 30. "Lucifer" also is used as title track for the German political TV show Monitor.

Eve is the fourth studio album by progressive rock band The Alan Parsons Project. It was released in 1979. Eve's focus is on the strengths and characteristics of women, and the problems they face in the world of men. The album had originally been intended to focus on "great women in history", but evolved into a wider concept. Eve is The Alan Parsons Project's first album with singer Chris Rainbow. The album's opening instrumental "Lucifer" was a major hit in Europe, and "Damned If I Do" reached the US Top 30. "Lucifer" also is used as title track for the German political TV show Monitor.

Since their re-emergence in 1973, the Shadows had established themselves among the most tasteful guitar instrumental bands of the age. True, their greatest singles hits tended to be vocal numbers – the Eurovision Song Contest smash "Let Me Be the One" paramount among them. But mention the Shadows to the average record buyer, and still the first thought that comes to mind was of seamless, sweet, and soaring guitar epics – which was precisely the thinking behind this set. Despite a track listing which featured three of the band's most recent 45s, String of Hits was not titled for the band's own singles success…

This nifty little record slipped under the radar in 1979. It is composed of tightly wound, keyboard driven new wave and an edgy sounding vocalist, just the kind of thing that everyone expected of the period's next charge of the British invasion. What set "English Garden" (the UK version of this album) apart was the pedigree. Woolley was a founder of The Buggles and a co-writer of two of their best known songs. The band also included a little known but inventive keyboardist named Thomas Dolby.
Most of the songs here are pretty good, and Woolley takes those two signature songs and works them out in a way that suggest why he split from Horn and Downes…he rocks them instead of machinates them…

This 1979 outing saw Alex Harvey returning to the rock music world for what would be his final album. It's no big surprise that The Mafia Stole My Guitar sounds a lot like the Sensational Alex Harvey Band: the music remains the same unusual but intriguing blend of prog ambition and punk energy and it also contains a few of Harvey's trademark oddball cover versions (example: his surprisingly straight-faced cabaret version of "Just A Gigolo/I Ain't Got Nobody"). What is a surprise is how consistent The Mafia Stole My Guitar is, especially in light of the uneven final albums of his last band.