The One Thing John Kay

These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.

The release of this edition was held October 8, 1998. All data cover releases were made by Dutch Artidee Creatieve Communicatie, and photo materials were prepared ANP Foto Dutch branch of the German conglomerate.

The Modern Jazz Quartet - European Concert (1960) {2CD Set Atlantic Japan, 50XD-1013~4, Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 521 Mb | MP3 @320 -> 189 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 1960, 1988 Atlantic / Warner-Pioneer Japan | 50XD-1013~4
Jazz / Bop / Cool / Third Stream

A double-length live set from the legendary Modern Jazz Quartet – recorded in Scandinavia in 1960, almost as a summation of the group's growing genius in the 50s! The tunes are a mix of John Lewis and Milt Jackson originals, plus other songs all given the wonderful MJQ twist – distilled into a sublime blend of piano, vibes, bass, and drums – all delivered with a sense of class, but never too much polish. The album is live, but still has that sophisticated composure that made the group so unique at the time – and the whole thing's a perfect complement to their famous studio albums on Atlantic!

The Complete Capitol Singles Collection is a 1996 box set by the American singer Frank Sinatra. This four-disc set contains all the singles —A-sides and B-sides—that Sinatra recorded for Capitol Records between 1953 and 1960. Among them are duets with Bing Crosby, Keely Smith, June Hutton, and the Nuggets, who provided vocal backing at a 1955 session where Sinatra made two forays into rock 'n' roll. Those songs, along with about 20 others, make their first appearance on compact disc with this set. The packaging includes many photographs, detailed session notes, and a long essay by Will Friedwald, who explains that Sinatra followed a "singles aesthetic" that set these songs quite apart from the "concept" albums he was recording simultaneously for Capitol.