The Outside Track

Named after a lyric from Magazine’s ground-breaking hit, ‘Shot By Both Sides’, TO THE OUTSIDE OF EVERYTHING tells a musical story of how the UK’s post-punk scene evolved from the spirit of 1977 and the arrival of key labels such as Fast, Rough Trade, Zoo, Factory and Cherry Red.

Curtis Fuller - Four On The Outside (1978) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 287 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar
© 1978, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6355
Jazz / Hard Bop / Trombone

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. An explosive late 70s moment of brilliance from trombonist Curtis Fuller – and one of his greatest albums of the time! The set's got Fuller working with an unusual group – Pepper Adams on baritone sax, making for a nice "bottom" alongside Fuller's trombone, plus James Williams, borrowed from Art Blakey's group of the time – and really stepping out here with some great soaring piano lines. The rest of the quintet features Dennis Irwin on bass and John Yarling on drums – but the real boss of the set is clearly Fuller, who's contributed some wonderful originals to the session, and is clearly working with a re-kindled spirit at this point in his career. Titles include "Four On The Outside", "Suite Kathy", "Little Dreams", "Ballad For Gabe-Wells", and "Corrida Del Torro".

Tenor saxophonist Chico Freeman (doubling here on bass clarinet) performs the 19-and-a-half-minute "Undercurrent" (an original by bassist Cecil McBee) and three shorter compositions with McBee, pianist John Hicks, and drummer Jack DeJohnette on this enjoyable set, which has been reissued on CD. The music is often influenced by the scales of the Far East, yet also has the warmth and extroverted emotions of the west. All of the musicians have opportunities to make strong contributions, and the top-notch players (some of the finest) are heard throughout in top form.

It's hard to believe that the Cure could release an album even more sparse than Three Imaginary Boys, but here's the proof. The lineup change that saw funkstery bassist Michael Dempsey squeezed out in favor of the more specific playing of (eventually the longest serving member outside Robert Smith) Simon Gallup, and the addition of keyboardist Mathieu Hartley resulted in the band becoming more rigid in sound, and more disciplined in attitude. While it is not the study in loss that Faith would become, or the descent into madness of Pornography, it is a perfect precursor to those collections. In a sense, Seventeen Seconds is the beginning of a trilogy of sorts, the emptiness that leads to the questioning and eventual madness of the subsequent work…

In 2013, the great five-disc Stranglers box set The Old Testament: The U.A. Studio Recordings (1977-1982) from 1992 was reissued, featuring most of the group's best albums plus a bunch of drool-worthy bonuses (demos, B-sides, remixes, and other whatnot). This bulky 11-disc set was released just one year after – the excuse being that the band's 40th anniversary must be honored – but the differences are vast, with this one serving a purpose for the hardcore while Old Testament is the clear winner for the more casual listener…

Picture this: a big storm is brewing overhead. You’re careening through the backroads of rural Iceland, trying desperately to catch your flight out of Reykjavik as the skies darken behind you. You’ve just had one of the best songwriting sessions of your life, in a farmhouse deep in the Icelandic countryside, but none of that matters now. You’ve found yourself in a race against time to get all your work to the next studio and continue working on your album—one that just might turn out to be one of the most important of your entire career.

The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.

From the bustling chaos of Beijing to the deserts of Xinjiang, Lost In China celebrates a new generation of artists who, united by their desire to explore and at times confound local traditions, have not previously been heard outside their homeland.